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TME nurtures singing talent

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(China Daily) Lights down, music on, and a grassroots singer steps onto the stage. It's the competition for the uncovering of a new singing star, held by a popular music app that is part of Tencent Music Entertainment Group, one of the country's largest musical service operators.

The music firm has promoted the program for months to support grassroots artists who shot to fame via WeSing, a karaoke singing and sharing app run by TME. Up to 1.9 million grassroots singers have participated in the program so far and composed 1.6 million songs.

Singers who enter the final stages of the competition will receive rewards and tailor-made promotions. In addition to this, the backstage partners of the top three winners, including lyricists, composers and producers, are also given rewards.

"It's a win-win initiative," said Dennis Hau, group vice-president of TME. "Fresh musicians get more look-ins, professional training, as well as higher earnings, and our platforms benefit from a collection of professional music."

He added that the company is exploring a better business model to further enable these talented grassroots musicians, including promoting their works on online music platforms, such as QQ Music and WeSing, and during offline variety shows.

The move marks TME's latest step in building an internet-enabled, technology-driven ecosystem that revolutionizes the way music is consumed, according to Lu Zhenwang, senior internet analyst from Shanghai-based Wanqing Consultancy.

"As a giant in the field, TME has been scrambling to build a well-rounded ecosystem and has done quite well in innovating both its upstream and downstream businesses," Lu said.

He added that the digitalization of the music industry is injecting more vitality into Chinese society.

QQ Music and WeSing, TME's two major units, which are under the charge of Hau, provide a rich catalogue of digital music services including streaming, online live broadcasts and karaoke.

"We are trying to create an inclusive ecosystem. Users can listen to music and watch music videos via QQ Music, sing karaoke online through WeSing and then share it with friends," Hau said.

The latest data from the company shows that WeSing tops the list of the country's online karaoke portals, with around 500 million registered users, while QQ Music has a total of more than 800 million registered users.

One example of the way TME is driving growth, Hau said, is through "digital albums", a new form of internet-era album sales that QQ Music created and has dominated since 2014. The albums allow fans to download songs of their favorite musicians before they are made available in the public domain.

The idea has proved to be extremely successful. Last year, the digital album of Chris Lee, a famous singer from China, was snapped up by 1.14 million people with the sales volume exceeding 23 million yuan ($3.65 million), making it the top-seller on QQ Music since the creation of the platform.

Sales of two digital albums by US singer Taylor Swift netted more than 10 million yuan in revenue for the Tencent platform.

Latest data show that QQ Music now has a more than 90 percent share of the country's digital album market.

By adding more ammunition to its ecosystem, the Shenzhen-based company is leveraging more advanced technologies to offer customers a better user experience.

"We are taking advantage of the listener data from users and the singing behavior to personalize our music services. The services can also recommend musical choices of friends to listeners," Hau said.

He said WeSing has promoted a "virtual karaoke room" wherein friends can join together to sing songs online and simulate the environment and sound effects of real karaoke.

In terms of globalization, Lu from Wanqing Consultancy said that China has entered the golden period of digital music and has the ability to catch up with the rest of the world, something that echoes with TME's capabilities.

At the end of last year, TME made an investment in Spotify, the world's largest music streaming service provider, by acquiring an undisclosed stake, representing another step forward in its going global efforts.

"We anticipate great development prospects in the overseas markets," said Hau, who used to be responsible for globalization of Tencent's major products.

"China has become an important growth engine for the global music industry and we want to be a world-leading musical platform," Hau said.

Source: By Cheng Yu | China Daily

China to air food documentary 'A Bite of China III'

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The third season of the documentary "A Bite of China," produced by the China Central Television (CCTV), will air daily starting Feb. 19.
The documentary, which follows the successful "A Bite of China I" in 2012 and "A Bite of China II" in 2014, will continue to depict Chinese culture via food and explore the relationship between people and food.
This season has eight episodes with each lasting 50 minutes.
Wei Dichun, vice head of CCTV, said Friday that the documentary "A Bite of China" has cheered up Chinese documentary industry.
"The third season will resonate the feelings of people at home and abroad and become a window for the world to learn more about China," Wei said. 
Source: Xinhua

Jiang Mengjie poses for photo shoot

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Actress Jiang Mengjie


Source: Xinhua

Jia Qing attends NY fashion week

Lin Yun poses for fashion magazine

Guo Degang debuts as director in tough box-office season

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(China Daily) Comedian Guo Degang has predicted that the upcoming Spring Festival holiday week will be the most competitive period in the country's box-office history.

Guo said his first film as a director, The Face of My Gene, will be released on the first day of the Chinese New Year, which falls on Feb 16 this year, alongside five others — Monster Hunt 2, Detective Chinatown 2, The Monkey King 3, Operation Red Sea and Boonie Bear: The Big Shrink.

The day's presold tickets were valued at 360 million yuan ($57.1 million) by Feb 12, a record for the mainland's film industry, according to box-office tracker Maoyan. But Guo's fantasy comedy The Face of My Gene, the cast of which includes his most acclaimed cross-talk successor Yue Yunpeng and actress Fan Bingbing, is expected to make 4.7 million yuan, or only 1.3 percent of the advanced sale total on Feb 16, Maoyan said.

The film is about a writer, who fails to win the heart of his romantic interest due to his appearance, and then travels back in time with ways to change the genes of his family.

Guo has acted in many films in the past. His family encouraged him to direct a movie for his storytelling skills, he told his millions of followers on Sina Weibo, China's Twitter-like platform.

Source: By Xu Fan | chinadaily.com.cn

Antarctic romance tops China box office

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(China Daily) China's first movie to be shot on the icy continent of Antarctica, the romantic drama Till the End of the World has topped domestic box office charts since it opened across the country on Feb 2.

The 115-minute movie starring Taiwan actor Mark Chao and actress Yang Zishan has so far raked in more than 180 million yuan ($28.6 million) at Chinese mainland cinemas.

Adapted from director-scriptwriter Wu Youyin's novel of the same title, Till the End of the World plots the romance between a business tycoon and a physicist after they survive a plane crash on the frozen southern continent.

Wu, a former member of a Chinese expedition team to the South Pole, told reporters recently he had wanted to shoot a movie set in the region for many years.

Many of the creatures common to the Antarctic — penguins, whales, seals and skuas — feature in the movie, and take on certain symbolic meanings during the story, Wu says.

"People love penguins. So in the movie, the penguin (which is adopted by the protagonists to help them through their struggle for survival) represents better times, as well as symbolizing the desperation they endure toward the end of the film," he says.

Before departing for Antarctica, the crew made detailed plans to assess the possible risks they might encounter on the remote continent, including devising special flight routes to transfer cast and crew members if they fell sick.

Source: By Xu Fan | chinadaily.com.cn

China Box Office: Aamir Khan’s ‘Superstar’ Tops $100 Million in Quiet Weekend

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(Variety) The Chinese box office suffered its quietest weekend in more than a year. With only one new release to enter the chart, Indian drama “Secret Superstar” once again emerged on top.

The pre-Chinese New Year lull was weaker even than last week’s sluggishness. The combined score for the top 10 films was a lowly $33.7 million. The last time the aggregate was that weak was in September 2016, when there were many fewer theaters in China than today.

Distributors and theater owners, however, can expect vastly different results from the upcoming weekend, when a host of broad family entertainment, popular names and Chinese-made franchise titles will compete fiercely for eyeballs – and perhaps cannibalize each other.

The market stasis allowed “Superstar” to hold on to its unlikely victory. It clocked up $8.61 million for a cumulative of $109 million after 24 days on release, according to data from Ent Group. Of its four weekends in Chinese theaters, the Aamir Khan-starring title had enjoyed three as the top-selling film. His previous release in China, “Dangal,” scored more than $190 million last year, paving the way for audience appreciation of Indian films in China.

Antarctic adventure “Till the End of the World” added $6.43 million in its second weekend of release. It has a cumulative of $28.6 million after 11 days in cinemas.

“Maze Runner: The Death Cure” earned $3.49 million. That lifted its cumulative to $46.2 million after 17 days.

Starry romance “Forever Young” added $3.33 million in its fifth weekend. After 31 daysm it has a cumulative of $116 million.

Bona Film Group’s “The Greatest Showman” added $2.52 million in its second weekend. Its cumulative is $13.4 million after 11 days. “Happy Death Day” scored $2.18 million in sixth place for a cumulative of $7.43 million after 10 days.

The weekend’s only new release to enter the top 10 was “Miss Puff,” a Chinese romantic drama. It scored $2.07 million.

Ninth position belonged to “Wonder,” scoring $1.84 million, for a cumulative of $28.5 million.

Animation “Ferdinand” took 10th place with $1.29 million, for a running score of $26 million after 24 days.

Source: Variety By Patrick Frater

Pop star Hu Yitian poses for fashion magazine

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Pop star Hu Yitian


Source: China Daily

Liu Yuxin poses for photo shoot

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Actress Liu Yuxin


Source: Xinhua

Actress Gulnezer Bextiyar releases fashion photos

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Actress Gulnezer Bextiyar


Source: China Daily

Alibaba to offer Disney shows on Youku

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(China Daily) Alibaba Digital Media and Entertainment Group, the entertainment arm of e-commerce giant Alibaba Group Holding Ltd, said on Monday that it has inked a deal with The Walt Disney Co to offer Disney's animated series and movies on its video streaming service.

Under the agreement with Buena Vista International, a Disney-owned motion picture distributor, subscribers of online streaming service Youku will be able to access over 1,000 episodes of animated television series, according to a company statement.

In addition, some 30 million households using Alibaba's set-top boxes and partnering smart TV platforms will be able to access these shows and hundreds of Disney movies, including blockbuster titles such as Pirates of the Caribbean, Beauty and the Beast and Frozen.

"The addition of Disney content will greatly enrich the library of quality international content on Alibaba's media and entertainment ecosystem, giving us a leading edge in foreign content distribution in China," said Yang Weidong, president of Youku.

Youku, which reaches 580 million devices each day and gets about 1.2 billion views, is wholly owned by Alibaba Digitial Media.

A viewer study conducted by independent research institute Guduo Media revealed that Youku dramas generated a total of 21.7 billion views in the third quarter of 2017, topping the country's online video market.

The partnership is part of a broader push by Alibaba's entertainment unit to produce and deliver more quality content to audiences in China, the world's second largest film market.

In November it inked an exclusive deal for Netflix to distribute its hit original drama series Day and Night to over 109 million subscribers worldwide.

Meanwhile, Disney is looking to penetrate deeper into the country by leveraging its intellectual properties in movies and TV series. For instance, it used the Shanghai Disney Resort to pump up the opening of the movie Pirates of the Caribbean: Dead Men Tell No Tales.

During an interview with China Daily last June, CEO Robert Iger called China "an extremely vital market" for the future of its studio and movie business.

In May last year, Disney opened an online lifestyle shop targeting fashionistas on Tmall, Alibaba's business-to-consumer website, adding to its existing official flagship that offers children's wear and merchandise for a younger crowd.

Source: By He Wei in Shanghai | China Daily

China to Select 5,000 Cinemas to Show Propaganda Films

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(THR) China plans to select 5,000 movie theaters across the country to screen propaganda films and will look to boost their box office with group sales, discounted tickets and other financial backing.

The number of theaters accounts for roughly 10 percent of China's total, with quotas issued for each major city, province and autonomous region.

A notice from the nation's film regulator said the policy is intended to promote specific movies at special times to create a "people's theater front," a throwback to language used during the era of Mao Zedong.

In keeping with the ruling Communist Party's latest initiatives, the policy intends to "guide thought and educate the people," said the statement, which was stamped Jan. 30. Copies of it were posted Tuesday to Chinese websites that cover the entertainment industry.

China, the world's second-biggest film market, saw movie ticket sales rise 13.5 percent last year to over $8.6 billion. Chinese-made movies accounted for 54 percent of ticket sales, with baldly nationalistic action thriller Wolf Warrior 2 topping the box office.

The ruling Communist Party is anxious to promote more productions with patriotic themes and exercises broad control over scripts and shooting permits.

It also routinely manipulates ticket sales and movie release dates, including limiting the number of foreign films that can be shown and banning them entirely for certain periods.

That helps pump up sales for domestic productions, although patriotic themes don't always win out.

Recent successes have included films glorifying materialism and complex interpersonal relationships, such as the Tiny Times series.

As part of party leader and President Xi Jinping's ideological drive, the party has also sought to crack down on internet content deemed frivolous or immoral.

That includes online games such as the Japanese hit Travel Frog, although the denouncements appear to have done little to dampen public enthusiasm for them, and the authorities are eager to keep the internet open as a conduit for business.

Source: The Hollywood Reporter 

Wong Kar Wai Named Head of Beijing Film Festival Jury

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(THR) Hong Kong auteur Wong Kar Wai will head the competition jury of the 8th Beijing International Film Festival, set to run April 15-22 in the Chinese capital.

The government-backed event revealed the appointment Monday, promising to announce additional jury members and the full competition lineup in the coming weeks.

Typically, an official selection of 15 international films compete for the Tiantan Award, the festival's top prize. Wong won the award with his last release, martial arts drama The Grandmaster (2014), which earned $45 million in China.

Wong will next direct Tong Wars, an hour-long period drama series for Amazon. Produced by Paul Attanasio, the series is set in 19th-century San Francisco and tells an immigrant story centered on the clashes between organized-crime families in the city’s Chinatown.

A popular draw for Hollywood power players looking to cultivate business in the burgeoning Chinese industry, past editions of the Beijing festival have drawn attendance and participation by James Cameron, Kathleen Kennedy, Jim Gianopulos, Luc Besson, Natalie Portman, Darren Aronofsky and
others.

Source: The Hollywood Reporter by Patrick Brzeski

Dilraba Dilmurat withdraws from 6th season of ‘Keep Running’

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(Toggle) On February 11, Chinese variety show Keep Running shared on Weibo a dedication video to cast member Chinese actress Dilraba Dilmurat, and announced that she will be pulling out of the 6th season of the show, due to conflicts in schedule.

In the video, the Keep Running production crew presented Dilraba with a photobook documenting her journey with the cast, drawing tears from the actress as she revisited the memories from the past season.

Dilraba took to Weibo later in the day to confirm the news and express her feelings. She wrote, “I will continue to call my family [Keep Running cast members]. Let’s shout it out one more time, Keep Running, family!”

As Dilraba joined the cast in Season 5 of the show to replace cast member Chinese model Angelababy who was pregnant at that time, netizens suspect that she was removed from the cast in the upcoming season to make way for the model, who has since returned to the show post-pregnancy.

Angelababy responded to the official announcement of Dilraba’s departure on the same day over Weibo.

“Xiao Di [Dilraba], we are not saying goodbye. Welcoming you home always, we are family!” the 28-year-old model wrote, dispelling all rumours that the two are not on good terms.

Chinese actor Deng Chao, leader of Keep Running cast, also left a heartwarming goodbye message for the actress on his Weibo.

“Xiao Di [Dilraba], don’t forget your keys. Your food is in the fridge, remember to warm them up before having it. We are just going out for a spin, and will be back soon,” he wrote, portraying his fatherly side.

Source: Toggle

Street shots of Tian Hairong

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Actress Tian Hairong


Source: Xinhua

Actress Tang Yan releases fashion shoots

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Actress Actress Tang Yan


Source: China Daily

China Curbs Ticket Subsidies in Blockbuster Season

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(CFI) As the Lunar New Year holiday approaches, Chinese people around the country are preparing to enjoy some leisure time with their families.

But the country’s film industry is not relaxing, as the holiday season is its busiest. Scheduled for release are 11 major films that have investments from over 100 film and television companies.

Ding Daoshi, film critic and head of research at internet industry social platform sootoo.com, told Caixin that “Spring Festival has been the most important season for the movie industry since 2016, as the ticket sales exceed those of any other Chinese holiday.”

The Chinese movie industry has grown continuously in recent years. While box office revenues were 21.8 billion yuan (about $3.6 billion at the time) in 2013, by 2016 they had reached 45.7 billion yuan (about $6.6 billion at the time), and last year they were almost 56 billion yuan ($8.9 billion).

In 2017, about 6% of this revenue was earned over the weeklong Lunar New Year holiday, down from 8% the previous year.

However, things may be different this year, as the government body charged with regulating the film industry has introduced new rules to curb the use of subsidies to cut the price of tickets — a practice some say has stymied competition in the industry and lowered the quality of its output. The rules include a minimum ticket price and a cap on the number of subsidized tickets per release.


Cash competition
Data released by UNESCO’s Institute of Statistics in 2016 shows that the average price for a movie ticket in China is 36.7 yuan. However, as online ticket-buying has become the norm, many tickets are sold for less than 10 yuan due to subsidies.

The subsidies are a marketing tool used by film studios, distributors and online platforms to fill seats during competitive periods. The companies pay for part of the cost of the ticket, which is set by the distributor and the cinema.

Wang Zhonglei, CEO of multinational Chinese entertainment company Huayi Brothers Media Corp., told news portal huxiu.com last year that while subsidies accounted for about 15% of the companies’ annual operational budget in 2016, this had risen to about 33% in 2017, most of which was spent over the Lunar New Year holiday.

Media reported that about 300 million yuan was spent on just one day of ticket subsidies for just four films during the 2017 holiday. Wanda Film Holding Co. Ltd. President Zeng Maojun told news website sohu.com that almost a tenth of the ticket revenue taken in by Chinese cinemas in 2015 came from subsidies.

Film industry analyst Liu Jia told ikanchai.com that “these ticket wars have become a competition of capital, not of quality,” as the amount of money spent on subsidizing tickets is the main determiner of whether a film will garner a large audience.

Liu also said that as more and more money is spent on these subsidies, movies backed by companies unable to afford this hugely expensive competition are struggling to find an audience.

Lu Jianmin, known for his work on the hugely successful “Wolf Warrior” action films, told the Global Times that “Spring Festival is undoubtedly the time we can make the most money. However, the ticket subsidies are unfair for small-budget movies. Regardless of whether the film is good or not, it is hard for them to compete.”

To create a more level field, the State Film Bureau has set the minimum ticket price at 19.9 yuan, including the subsidy, for Feb. 15 to March 2. Also, only 500,000 tickets can be subsidized per release.

Ding, the film critic, said, “In recent years there has been a bubble in the China movie market, partly due to the large ticket subsidies handed out since 2015. This has enticed a lot of people to buy tickets to films, even if the film is of poor quality, which has disrupted the healthy development of the industry. The new policy is expected to be an effective way of managing this bubble.”

However, for the upcoming holiday, bigger films seem to still be on top. According to real-time data provided by online ticketing platform Tianpiaopiao, 94% of film reservations for the first day of the holiday have gone to just three films, each of which had hundreds of millions of yuan of investment.

Ding said, “Since those three movies, based on an existing intellectual property, were already popular before, they still rank at the top. However in the long term, we can achieve the desired effect by limiting the number of ticket subsidy through policies and allowing movies to compete with quality, not just with capital.”

Source: China Film Insider

Headlines From China: What’s Special About The Chinese New Year Gala?

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(CFI) 35 years since its first televised show, the Chinese New Year Gala, also known as the Spring Festival Gala, has become somewhat synonymous with Chinese New Year celebration. 

Despite negative ratings in recent years, its viewership has stayed unaffected. 

Staged live on every Chinese New Year’s Eve, the Chinese New Year Gala’s long-lived success can be attributed to the fact that it has become a ritual and tradition for many to watch the show on Chinese New Year’s eve. 

In addition, being a long-running show produced by CCTV, the show taps into the TV station’s wonderful resources and often invited the biggest names to perform. Alipay also collaborated with the Chinese New Year Gala and gave out many red envelopes on Chinese New Year’s Eve. 

The show’s political purpose is also not to be underestimated.

Source: China Film Insider

CCTV Spring Festival Gala held last rehearsal

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(China Plus) One more day to go before Chinese Lunar New Year's eve!

For the last night before the Chinese New Year, a tradition for many Chinese people would be watching "Chunwan" together with family and friends, a live TV variety show that lasts almost five hours.

And performers of the 2018 CCTV Spring Festival Gala held their last rehearsal on Tuesday night to fine tune their preparation for the much anticipated event.

For this year's gala, besides the main venue in Beijing, there will be four other sub-venues in Guizhou, Guangdong, Shandong and Hainan.

"This year, the sub-venues were not selected based on their geographical locations, but on the local characteristics and styles of programs. In Guizhou, the culture of minority ethnic groups will be highlighted. While in Zhuhai (in Guangdong Province), audiences will see acrobatics and entertainment programs. Programs in Hainan will embody openness and use a lot of high technologies. In Shandong, the hometown of Confucius, the programs will focus more on cultural inheritance," explained Yang Dongsheng, chief director of the gala.

The Hong Kong-Zhuhai-Macao Bridge, the world's longest manmade sea-crossing bridge will be featured at the venue in Zhuhai city of Guangdong.

The show features singing and dancing programs, comedy sketches, cross talk, aerobatics and magic performances as well as traditional operas.

It is the most watched live TV program in China, similar to what the Super Bowl is to Americans.
This year's show is expected to draw one billion viewers.

Source: China Plus by Li Yi
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