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‘The Shape of Water’ on track to become highest-earning Best Picture Oscar winner in China since ‘Titanic’

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(Global Times) The Shape of Water, the biggest winner at this year's Oscars, is set to hit theaters in the Chinese mainland on Friday. The latest winner of the Academy Award for Best Picture introduced into the market since The Artist in 2012, Guillermo del Toro's human-monster romance looks like it may become the highest-earning Best Picture winner in a decade.

Sitting on pre-sales of more than 7 million yuan ($1.1m) on Maoyan - one of China's biggest film ticket-selling platforms - by Thursday, The Shape of Water faces strong competition from the debut of game-turned-movie reboot Tomb Raider, the pre-sales of which sat at 17 million yuan on Thursday.

On Chinese review platform Douban, however, more than 96,000 users have clicked on "want-to-see" for The Shape of Water, while the number of users anticipating Tomb Raider sits at around 14,700.

"Only a man with childlike innocence and an extremely romantic heart could write a story about a group of marginalized people coming together to fight against a dark world. It's nearly impossible to not be moved by such a story," writes one of the most popular comments on Douban.

The fantasy drama has an average ration of 7.3/10 on the platform, better than 62 percent of the fantasy movies on the site.

Censors' black mini-dress

The fact that The Shape of Water's mainland release date was set even before the Oscars ceremony earlier this month seems to suggest that its Chinese distributer are very confident in the film.

A poster for the film made to look like a traditional Chinese ink painting and a Chinese edition of the film's theme song were released online earlier this week to help build buzz for the film.

Tong Dawei and Guan Yue, a famous star couple in China, appeared at the film's Chinese premiere in Beijing as the film's ambassadors. Though the film's director Guillermo del Toro couldn't make it to the premiere due scheduling conflicts, he recorded a video message for his Chinese fans.

Since there are quite a number of R-rated scenes containing violence and nudity in the film, just how much of the original movie would be kept for the Chinese release has been a topic of hot discussion among Chinese moviegoers.

The Wednesday premiere revealed that at about 123 minutes in length, the film is almost the same as the original. Overall, around a minute has been cut from the film in total, with the cuts mainly focusing on dealing with the nudity in the film. In addition to cuts, the Chinese editors have also come up with a creative solution for dealing with some of the nudity. In one scene, in which the mute heroine Eliza stands naked at a bathroom door with her butt to the camera, the editors have covered the actress's nude back and buttocks with a black shape cut to look like a mini-dress.

As to the numerous violent scenes in the film, these have, for the most part, survived uncut.

Though some analysts think the monstrous hero in the film might help draw monster lovers, some in the Chinese film industry who have shown a blunt dislike for the Oscar-winning movie are more lukewarm on how it will perform in China.

Dai Jinhua, a renowned Chinese film scholar from Peking University, pointed out in a recent interview with cultural platform Moveable Type that The Shape of Water"is full of clichés."

"I think it will be difficult for The Shape of Water to perform well in China due to its unconventional genre," Chinese film critic Lin Chudong told the Global Times. "Mainstream Hollywood blockbusters with fancy visual effects are still far more popular with Chinese moviegoers."

"Also, according to historical box-office data, few Oscar Best Picture winners have performed well financially in the Chinese mainland market," he added.

Genre is key

While it's true that previous Oscar winners have not performed very well in China - outside of Titanic, which earned 360 million yuan when it came to China in 1998 - The Shape of Water is highly likely to perform far better than recent Oscar alumni. The last Best Picture winner released in China, The Artist, grossed a mere of 4.25 million yuan in 2012.

As to why previous Best Picture winners have not done well, the main factor seems to be the genre.

"Many of the Oscar Best Picture winners since 2000 were art house films… but in China, commercial films with fancy special effects and cool actions scenes prevail," wrote Gu Yan, editor-in-chief of movie platform Cine China, in a recent article.

However, fantasy films like The Shape of Water have a better track record in China than art house films.

For instance, fantasy film The Lord of the Rings: The Return of the King, the Best Picture winner at the 2004 Oscars, performed fairly well when it debuted in the Chinese mainland that same year. It raked in 86.3 million yuan to rank fourth on China's box-office chart that year.

Source: Global Times By Huang Tingting 

Alyssa Chia confirms her appearance on ‘Super Mom 3’

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(Toggle) Fans of Taiwanese actress Alyssa Chia and her two young daughters, 2-year-old Bubu and 1-year-old Bobo, can now look forward to Chinese reality TV series Super Mom 3 in full anticipation, as the actress personally confirmed on Weibo that she will be reprising her appearance on the show.

Super Mom 3 follows celebrity mums on their day-to-day activities as they raise their kids.

Sharing the exciting news over Weibo yesterday on Bobo’s first birthday (Mar 15), the actress wrote,
“I am sharing the best piece of news (as a present) on Bobo’s birthday. The interactions between the two siblings, I’m looking forward to them.”

She also left a hashtag of ‘Super Mom’, and shared photos of the official poster and her two daughters.

As the 43-year-old mother and Bubu (who was 5-months-old then) were very well-received by audiences when they first made their appearance on the series in 2016, many fans were looking forward to their participation in the show once again now that Bobo could also join the show as the newest addition in the family.

In one of the photos Alyssa shared, Bubu proved her popularity with netizens when many left comments gushing that the 2-year-old looked adorable in the photo, which captured her blowing soap bubbles while sitting on the grass.

In a teaser clip released on Super Mom’s official Weibo page, Bubu appeared confused while watching one of Alyssa’s older shows, and pointed out that her “fake” mother on TV was very entertaining.

She then proceeded to spill the beans about her mother’s “childish” behaviour, revealing that she “acts like a kid” and “loves to eat, play and joke” with her. The 2-year-old then expressed that Alyssa is just like “her best friend”, melting the hearts of netizens through the adorable clip.

Alyssa married Taiwanese actor Xiu Jie Kai in 2015 and have three daughters in total. Her eldest daughter, Angelina, is from her previous marriage with Taiwanese businessman Sun Zihao.

Source: Toggle

Angelababy and cast attend press conference for Clash Bots

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Clash Bots is set to be released on March 29, 2018.


Source: Xinhua

Hai Qing poses for fashion magazine

Actress Zhong Chuxi poses for fashion magazine

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Actress Zhong Chuxi


Source: China Daily

Beijing Film Fest: Palme d'Or Winner Ruben Östlund Joins Competition Jury

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(THR) Hong Kong auteur Wong Kar Wai will chair this year's jury, which also includes 'The Fast and Furious' director Rob Cohen and Berlin Golden Bear-winning filmmaker Călin Peter Netzer.

Swedish filmmaker Ruben Östlund, winner of the 2017 Cannes Palme d'Or for The Square, has joined the competition jury of the Beijing International Film Festival, kicking off in the Chinese capital April 15.

The government-backed event unveiled its full jury lineup at a press event in Beijing Friday. Hong Kong auteur Wong Kar Wai was previously named chair of this year's jury. Wong and Ostlund will be joined by Rob Cohen, director of The Fast and The Furious; Chinese actor Yihong Duan, winner of the Tokyo film festival's best actor prize last year for The Looming Storm; Oscar-winning Polish composer Jan A.P. Kaczmarek (Finding Neverland); and Romanian director Călin Peter Netzer, winner of the Berlin Silver Bear in 2013 for Child’s Pose.

The Beijing festival's full competition lineup and list of VIP attendees are expected in the coming days. Typically, an official selection of 15 international films compete for the Tiantan Award, the festival's top prize. This year's jury chief, Wong, won the award with his last release, martial arts drama The Grandmaster (2014), which earned $45 million in China.

A popular draw for Hollywood power players looking to cultivate business in the burgeoning Chinese industry, past editions of the Beijing festival have drawn attendance and participation by James Cameron, Kathleen Kennedy, Jim Gianopulos, Luc Besson, Natalie Portman, Darren Aronofsky and others.

Source: The Hollywood Reporter by Patrick Brzeski

Eighth Beijing Intl Film Festival jury includes Wong Kar-wai

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(China Daily) Who will work together with Hong Kong cinematic master Wong Kar-wai to decide the top awards in the forthcoming eighth Beijing International Film Festival? The answer has just been unveiled.

Organizers revealed on Friday that the jury members of the festival's competition section, the Tiantan Award, will include Chinese mainland actor Duan Yihong, American filmmaker Rob Cohen, Polish composer Jan A.P. Kaczmarek, Romanian director Calin Peter Netzer, Swedish director-scriptwriter Ruben Ostlund and Taiwan actress Shu Qi.

An internationally celebrated director, Wong rose to fame with the 1988 movie As Tears Go By, garnering more acclaim from films such as Days of Being Wild (1990), Chungking Express (1994) and Happy Together (1997).

Wong’s latest film, the martial arts epic The Grandmaster (2013), opened the 63rd Berlin International Film Festival, of which he chaired the jury.

Wong is also the second Chinese in history to lead the Beijing film festival's jury panel after John Woo, who serves as president at the fourth edition.

The festival will run from April 15 to 22, with nearly 500 movies to be released in Beijing.

While art house movie fans will be enthusiastic about classics such as Beauty of the Day (1967) and Hiroshima, My Love (1959), blockbuster lovers may fancy the visual effects in hits like the X-Men movies and Jurassic Park franchise.

Source: By Xu Fan | chinadaily.com.cn

‘Tomb Raider’ Opens With $12.3 Million on First Day in China

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(Variety) Alicia Vikander’s “Tomb Raider” has opened with a solid $12.3 million in its first day in China, taking in a 50% share of the top five films.

Warner Bros. reported Friday that “Tomb Raider” has become its fifth-highest grossing opening day in China, and surpasses by a significant margin all three films in the “Divergent” series and was double the opening of “Lucy” and 6% ahead of “Wonder Woman.” “Tomb Raider” also generated $500,000 in Thursday night previews.

Warner Bros. said “Tomb Raider” generated a total Thursday gross of $5.7 million on approximately 16,325 screens in 46 territories, which brought the international running total to $24.7 million. The action-thriller opened in nine markets last weekend and is opening Friday in another 19 markets including China, Spain, Scandinavia and Mexico.

Early box office results out of the U.K. generated $553,000 on 1,004 screens with a 40% box office share of the top five films, 25% ahead of “Red Sparrow.” In Russia, “Tomb Raider” took in a 59% share of the top five films in the market, with $616,000 on 2,758 screens.

“Tomb Raider,” Warner Bros. and MGM’s adaptation of the popular video game, has been projected to take in about $25 million from 3,842 locations this weekend in North America.  That will challenge the fifth frame of Disney-Marvel’s mega-hit “Black Panther,” which will likely finish in the same territory domestically.

Vikander stars as archaeologist Lara Croft, who embarks on a journey to solve the mystery of her father’s disappearance. Based on the 2013 game, the film is directed by Roar Uthaug and written by Geneva Robertson-Dworet and Alastair Siddons, from a story by Evan Daugherty and Robertson-Dworet. The cast also includes Dominic West, Walton Goggins, and Daniel Wu.

Source: Variety By Dave McNary

Angelababy will have a second child when her son turns 4

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(Toggle) Ever since Chinese model-actress Angelababy gave birth to her son, a 1-year-old nicknamed “Little Sponge” in January last year, she has been asked about her baby-making plans with her husband, Chinese actor Huang Xiaoming, who had once expressed his wish to have a daughter next.

While Angelababy previously shared that she will fulfil Xiaoming’s wish and give “Little Sponge” a younger sister after “a few years of rest”, it seems that the 29-year-old model has now finalised her plans, as she revealed during a press conference for Chinese variety show Clash Bots that the exact time will be three years later, when “Little Sponge” turns 4.

The young mother, who managed to regain her pre-pregnancy figure soon after birth, revealed her weight during the press conference, shocking netizens when she weighed only 46 kilogrammes.

As she stands at a height of 1.68 metres tall and had given birth to “Little Sponge” a year ago, many netizens exclaimed that “her weight made no sense”, expressing their envy for the model’s slim proportions.

Source: Toggle

Tomb Raider's Daniel Wu and Alicia Vikander pose for fashion magazine

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Actor Daniel Wu and actress Alicia Vikander


Source: Weibo

Street shots of Yuan Shanshan

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Actress Yuan Shanshan


Source: Xinhua

5 Things You Didn’t Know about ‘Tomb Raider’ Star Daniel Wu

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(CFI) 1. He is in awe of his Tomb Raider co-star Alicia Vikander

Daniel Wu joined Alicia Vikander, the Swedish-born Oscar-winning actress, in the action-adventure movie Tomb Raider, directed by Roar Uthaug. Vikander plays the iconic Lara Croft – a young and courageous daughter searching for her missing father – while Wu plays sailor Lu Ren, Croft’s friend.

Wu said he enjoyed being on set with Vikander and described her as “a powerhouse” and “a beast”.

“She’s a powerhouse. She is really great,” he says. “She just put her head down and was like turning on beast mode and it really kind of powered it out. Never really done big commercial action film before she really got into it.”

2. He is not just an actor 

The 43-year-old star is not only the lead actor but also executive producer in the AMC show, Into the Badlands, which has been renewed for a third season since this martial-arts show is one of the best-rated scripted drama on cable. The expanded 16-episode season is set to premiere next month.

3. He founded a boy band

The actor formed a band called Alive with Terence Yin, Andrew Lin and Conroy Chan in 2005. He then directed a movie called The Heavenly Kings that chronicled the formation and events of the band. The film was believed to be a mock-umentary of the Hong Kong pop music industry, which earned him the Chinese Film Media Award for best director.

4. He was married in South Africa 

In 2010, the Berkeley-born actor tied the knot with American model Lisa Selesner in a low-key style in South Africa’s little village because they are in love with the natural surroundings and simplistic beauty of South Africa. The couple has a four-year-old daughter named Raven.

5. He was nominated for an award in the architecture world’s ‘Oscars’


The Chinese-American actor, who graduated from University of Oregon’s architecture programme in 1997, earned a nomination in the Royal Institute of British Architects International Prize. The awards are regarded as the British “Oscars” of the architecture world. He was nominated for his design of a library building in China.

The library, located in Mulan Paddock, China’s northern Chengde city in Hebei Province, is inspired by the traditional Mongolian yurt.  The library adopted the design of a skylight, allowing abundant sunlight to come through during the day as well as stargazing at night.

Source: China Film Insider

Stills from Nick Cheung’s The Trough

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The Trough is an upcoming Hong Kong crime thriller film directed by Nick Cheung, who also stars alongside Xu Jinglei and Yu Nan.


Source: Xinhua/Wikipedia

‘Deadpool’ to Get China Premiere at Beijing Film Festival

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(Variety) “Deadpool,” the superhero film that China previously blocked, is to get its premiere in the Middle Kingdom next month at the Beijing International Film Festival. The 2018 edition of the festival runs April 15-22.

To the disappointment of Chinese fans, who were already aware of the Fox film, the 2016 movie was not given import approval by Chinese regulators and failed to be included as part of the annual revenue sharing quota. No explanation was provided by regulators, though many in the industry concluded that the film was too sexy and too subversive for the regulators’ definition of mainstream acceptability. China has no film rating system and requires all films to be suitable for audiences of all ages.

Contacted by Variety, sources close to Fox confirmed the film’s selection and denied that it would be edited at the request of censors. “All festival films should play in original version,” the source said.

“Deadpool” will play as part of the Beijing Film Panorama section, which comprises “outstanding, classic and rarely seen films.” The festival Saturday announced other films in the section, which will include a black-and-white version of “Logan” and the first and second “X-Men” trilogies. Logan was released in China, despite concerns about violence, and earned $106 million.

Others in the section include “Avatar,” “Titanic,” “It,” “Get Out,” “The Grand Budapest Hotel” and a restored version of Akira Kurosawa’s “The Seven Samurai.”

The festival revealed that a jury including China-friendly U.S. director Rob Cohen, Chinese actor Duan Yihong, Taiwanese actress Shu Qi, Polish composer Jan Kaczmarek, Romanian director Calin Peter Netzer, and Ruben Ostlund, director of Palme d’Or-winning “The Square,” will decide the winners of the competition section and hand out 10 Tiantan Awards. The jurors join the previously announced jury president, Wong Kar-wai.

Aside from the Panorama and competition elements, the festival will comprise sections including “Forward Future” documentaries; online film; film concerts; film salon; and one for new releases.

Source: Variety By Patrick Frater

Asian Film Awards: ‘Youth’ Wins Top Prize From ‘Demon Cat’

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(Variety) The 12th edition of the Asian Film Awards saw Chen Kaige’s “The Legend of the Demon Cat” emerge as the numerical winner. But it missed out on the best film prize, which went to “Youth,” directed by fellow mainland Chinese director Feng Xiaogang.

“Demon Cat,” a period fantasy mounted on an unparalleled scale in China and Japan, took four awards. It claimed the supporting actress, costume, visual effects and production design awards. But it was omitted from the five best film nominees, and therefore excluded from the top prize.

“Youth” is a coming-of-age drama that follows the personal and political ups and downs of a military dance troupe during the China’s Cultural Revolution. It was supposed to have been released in Oct. 1, but was abruptly pulled by the Chinese government, apparently sensitive to criticism. The film was later released in mid-December and became a critical and commercial smash, earning $224 million (RMB1.42 billion).

Warmest applause of the evening went to Hong Kong star Louis Koo, who was named best actor in “Paradox.” Koo is enormously popular and hard working, and is the talent ambassador for the Hong Kong film festival, but is not normally considered as an contender. “I’ve appeared in over 200 movies and this is the first time I’ve ever won an award,” said Koo from the podium, before thanking investors and others who have had faith in him over the years.

Most tearful moment came from Hong Kong-based Taiwanese polymath Sylvia Chang. “Film making is not about winning awards,” she said as she picked up her second prize of the night. “It is about conveying real feelings.”

Also much appreciated was veteran Hong Kong actress Kara Wai (aka Kara Hui), who has been performing for 41 years and collected the Excellence in Asian Cinema award. Her career started in the 1980s under contract to the Shaw Brothers. She enjoyed a major revival in the past decade, relaunched by a dramatic role in Malaysian director Ho Yuhang’s “At the End of Daybreak.”

The ceremony on Saturday night was held in the Venetian Theater, part of the massive Venetian casino and hotel in Macau’s Cotai strip district. Local official, Maria Helena de Senna Fernades kept the formalities to a minimum. And, being broadcast live on local TV, helped kept the event moving along at an efficient pace.

In attendance were executives including Fred Wang, Katherine Lee, Michael and David Uslan, Max Michael, Byron Mann, Andrew Ooi, Takeo Hisamatsu, and Yasushi Shiina.

Talent present on the night included Johnny To, Andrew Lau, Mabel Cheung, Janice Man, and Ruth Boston,

The awards also served as the beginning of three weeks of industry and public events held across the Pearl River estuary from Hong Kong in Macau. On Monday the pace is picked up by the four-day FilMart, and in the evening by the opening night festivities of the Hong Kong International Film Festival.

2018 Asian Film Awards winners

  • Best Film
    “Youth”
  • Best Director
    Ishii Yuya (Japan) for “The Tokyo Night Sky is Always the Densest Shade of Blue”
  • Best Screenplay
    Mayanayk Tewari, Amit Masurkar (India) for “Newton”
  • Best Actor
    Louis Koo (Hong Kong) “Paradox”
  • Best Actress
    Sylvia Chang (Taiwan) in “Love Education”
  • Best Supporting Actor
    Yang Ik-June (Japan) in “Wilderness”
  • Best Supporting Actress
    Zhang Yuqi (China) in “The Legend of the Demon Cat”
  • Best Action Film
    “Paradox” (Hong Kong)
  • Best Newcomer
    Chutimon Cheungcharoensukying (Thailand) in “Bad Genius”
  • Best New Director
    Dong Yue (China) “The Looming Storm”
  • Best Cinematography
    Kim Jiyoung (Korea) for “The Fortress”
  • Next Generation Award
    Lim Yoon-a (Korea)
  • Best Original Music
  • Joe Hisaishi (Japan) for “Our Time Will Come”
  • Best Sound
    Tuu Di-chih and Wu Shu-yao (Taiwan) for “The Great Buddha+”
  • Best Editing
    Shin Min-kyung (Korea) for “The King”
  • Best Visual Effects
    Ishi Norio (Japan) for “The Legend of the Demon Cat”
  • Best Costume Design
    Chen Tongxun (China) for “The Legend of the Demon Cat”
  • Best Production Design
    Tu Nan and Lu Wei (China) for “The Legend of the Demon Cat”
  • Excellence In Asian Cinema Award
    Kara Wai (Hong Kong)
  • 2017 Highest Grossing Asian Film
    “Wolf Warrior 2”
  • Lifetime Achievement Award
    Sylvia Chang
Source: Variety By Patrick Frater

Kristy Yang poses for photo shoot

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Actress Kristy Yang


Source: Xinhua

Kathy Chow poses for photo shoot

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Actress Kathy Chow


Source: Xinhua

Why Foreign-Language Movies Are Thriving in China

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(THR) North America remains the world’s largest box-office territory, but for foreign-language films produced outside of Hollywood, China can already offer vastly more market potential for the right lucky title.

The highest-earning foreign-language release in North America last year was Bollywood epic Baahubali 2: The Conclusion, which brought in a substantial $20.2 million. That, however, was just a fraction of the $193 million earned by Indian sports drama Dangal at the Chinese box office in 2017.

Produced by and starring Bollywood superstar Aamir Khan, Dangal struck a surprising chord with the Chinese audience, smashing every local record for an imported non-Hollywood film. Khan was quick to repeat the feat with his follow-up, Secret Superstar. Another family drama — this time about a rural Indian girl who dreams of becoming a singer — Superstar has taken in $118 million since Jan. 19, making it the biggest imported film of the year in China, thus far beating top Hollywood titles Jumanji: Welcome to the Jungle ($77.9 million) and Star Wars: The Last Jedi ($42.6 million).

And it’s not just Bollywood finding a foothold at the Chinese multiplex. Thailand’s Bad Genius, a thriller about a high school girl who devises a scheme to cheat on exams, totaled $41 million last year, while Spanish thriller Contratiempo earned $26 million.

“There’s a growing demand for diversity in the market in terms of genres, stories and styles,” says James Li, co-founder of Beijing-based film industry market research firm Fanink. “The Chinese audience has grown up watching about half of their movies subtitled or dubbed — thanks to Hollywood — so there is potential here for foreign-language films that never existed in North America.”

Chinese buyers have responded on cue. At the Hong Kong Filmart, Asian and European genre fare with China-friendly themes is expected to be the subject of keen interest and occasional bidding wars.

The increased box-office potential has already created an opportunity for movies that traditionally would have had zero theatrical prospects outside their home country. Chinese theatrical rights to Spanish basketball film Champions were scooped up at Berlin’s recent European Film Market by Beijing-based Joy Pictures, and Toilet: Ek Prem Katha, a satirical Bollywood comedy, is said to have sold to another Chinese company. China’s Bona Film Group, meanwhile, picked up forthcoming Belgian animation film The Queen’s Corgi in a low-seven-figure deal in Berlin.

“Movies like Dangal showed us that certain special cases can do really, really well,” says Li. “The next step is for this to become a sustainable business model for more than just the lucky few.”

Source: The Hollywood Reporter by Patrick Brzeski

Filmart: Louis Koo to Produce and Star in $56M Sci-Fi Epic 'Warriors of Future' (Exclusive)

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(THR) Hong Kong's One Cool Pictures is reuniting Overheard series co-stars Louis Koo and Sean Lau for the sci-fi epic Warriors ofFuture.

The $56 million movie is the directorial debut of award-winning visual effects veteran Ng Yuen-fai.

The Hong Kong-China co-production tells the story of a meteorite crashing down on a barren future Earth ravaged by pollution and global warming, bringing with it a fast-growing alien vine that purifies the planet but kills everything in its path. Armed with the plant's genetic map, the heavily armored military of an unnamed city tries but fails to destroy it and uncovers a conspiracy.

The film is being touted as the most visual effects-heavy Hong Kong film to date, with a future Hong Kong rendered entirely in CGI.

CGI films in Hong Kong and Chinese cinema have usually been used for mythological epics such as the numerous Journey to the West adaptations and Legend of Gods, but WarriorsofFuture is an exception.

The movie is the long-cherished dream project of sci-fi fan Koo and has taken him years to develop.

He was instrumental in creating the look and feel of the film and its universe with Ng. "Unlike historical or mythological epics, where there are existing frameworks, backgrounds and sources, we have to create the world in Warriors of Future on a blank piece of paper," Ng told The Hollywood Reporter. "While the story is set in a realistic looking world, we have to design everything in the film — from the alien monster to the costumes, the underwear the actors wear, armored vehicles, everything, to create consistency and make it convincing for the audience," he added.

Apart from having 60 percent of the shots in the film visual-effects shots, the production built a life-size robot to let the actors know what they are acting against, Ng explained. "This film is of the highest level of technical difficulty in Hong Kong to date," said Ng, who founded his own effects house Fatface in 2004 and garnered awards for his work on the comic book adaptation The Storm Warriors and the period drama The Warlords. "It involves a good amount of research and development and computer programming specifically performed for this project, especially in the building of the city onscreen." Of the 200-strong crew, more than half of the members are in R&D.

Ng and Koo are optimistic about the world they have created, so much so that they hope to expand the film into a franchise, presenting a new installment every two to three years. Still, the project is something of a gamble. Although a long-established genre in Hollywood, sci-fi is rarely produced in Hong Kong or Chinese cinema. But Ng is hopeful Warriors ofFuturewill find an audience and cement the genre in the realm of Asian film production. "We have faith in the film to turn sci-fi into a mainstream genre in Hong Kong and Chinese productions. It also makes sense for sci-fi to flourish in the Chinese film industry as the market is so big, there is room for every genre," Ng said.

Warriors of Future is scheduled for release in fall 2019.

Source: The Hollywood Reporter by Karen Chu

'Tomb Raider' reboot unveils new-look Lara Croft

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(China Daily) While Angelina Jolie's Lara Croft is the face of a fearless female warrior, Academy Award-winning actress Alicia Vikander is bringing a new image of the video-age heroine to life.

Directed by Roar Uthaug, Tomb Raider will unveil Alicia Vikander's take on Lara to a new generation of views in the United States and the Chinese mainland on Friday.

The reboot of the Tomb Raider film series is based on the 2013 version of the video game of the same name produced by Crystal Dynamics, which tells the story of Lara's journey to find her father who disappeared seven years previously.

After playing the game as a child, Vikander thought the 2013 version was different. "It shows the human side of Lara in the original story of the journey that brought out the warrior in her".

Lara's journey to adulthood reminds Vikander of her own experiences of growing up and her decision at the age of 20 to quit ballet dancing to become an actress. After discussing how the director and producer wanted to update Lara Croft for contemporary audiences, Vikander agreed to play the role.

Winning an Academy Award for best supporting actress for her portrayal of Gerda Wegener in The Danish Girl, Vikander's petite frame does not immediately conjure up the image of Lara Croft. To counter this, the actress began a combined training and nutrition program seven months prior to filming, where she gained 5 kilograms of muscle in the process.

Even during filming, the 29-year-old Swede maintained a strict training regime, working out every morning in a customized gym in a truck before heading to the set.

Shooting the action sequences for the film was the first challenge for Vikander. In one sequence where Lara and Lu Ren, played by Chinese-American actor Daniel Wu, attempt to steer a ship through a storm, the shooting took place on a pontoon mounted on a five-axis gimbal strong enough to withstand tons of water being shot at it from cannons.

"It was almost like having ice thrown at you for hours on end, so I thought that was definitely the hardest part," Vikander says.

While her ballet background helped her physically during the big action scenes, she had to learn many new skills that required practice to prepare for the role.

Besides the physical demands, the next challenge for Vikander was how to weigh up the emotional impact of the role.

"I wanted to be able to give truth to this character," says Vikander. "Lara has an adventurous spirit. She's smart but also stubborn."

Vikander was recently invited by Crystal Dynamics to visit their studio, and she was amazed to see how far the gaming universe and the film industry are converging thanks to new technology, which she believes will attract "more actors to work in the video game universe".

Portraying Gul'dan in 2016's Warcraft, Wu is also a gaming fan, and is familiar with the storyline of the Tomb Raider game. In the movie, he plays the captain who helps Lara reach the island where she hopes to find her father.

"The reason I chose the role is that the story is complete. Some roles offered for Chinese actors are not the important ones, but this role is well-structured," says Wu.

"Lara and Lu are from different families and different backgrounds, but they come together to find their fathers who have both disappeared - that makes it interesting," Wu says.

Wu had to learn how to sail for the movie, and gained from five hours of practice at sea. "At first it was fun, but later I felt tired and bored, and then some strange ideas came into my head - that's when I started to understand Lu Ren."

Wu also enjoyed working with the international production team comprising a Norwegian director, a Swedish lead and crew members from Britain, the United States and South Africa.

Since 2015, Wu has been starring in the US action series Into the Badlands, where he also serves as executive producer. When the current filming of the third season comes to an end, Wu plans to take some time off before picking an Asian movie as his next project.

Source: China Daily
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