Quantcast
Channel: China Entertainment News
Viewing all 18507 articles
Browse latest View live

China Box Office: 'Jurassic World' Crosses $200M, 'Incredibles 2' Opens to Pixar-Best $21M

$
0
0

(THR) Universal and Amblin's Jurassic World: Fallen Kingdom roared again in China, adding $32.4 million in its second weekend for a healthy total of $202.6 million. The J.A. Bayona-directed dinosaur tentpole also fended off some strong competition from Incredibles 2, which opened to $21.2 million, Pixar's best debut to date in China.

The returns for both tentpoles were probably muted slightly by local evening broadcasts of the World Cup, which commands a huge following in China.

Fallen Kingdom appears to have a solid chance of beating the $228.7 million earned by the first Jurassic World film in 2015 — a feat it won't match in North America, where the sequel just opened 34 percent behind its predecessor.

Local word of mouth for Incredibles 2 appears strong. The film has a 9/10 rating on ticket app Maoyan and 8.2/10 on reviews aggregator Douban — some of the highest scores for a Hollywood titles so far this year.

Chinese crime comedy Lobster Cop, produced by Wanda Pictures, opened in third place with $6.8 million. Holdover action comedy The Way of the Bug, meanwhile, added $3.6 million for a fourth-place finish. After 10 days, the China Film Group-co-produced picture has earned $24.6 million, according to EntGroup.

Hollywood's next major tentpole release will be Disney and Marvel’s Ant-Man and the Wasp, launching internationally on July 4. The film has yet to receive a China release date, however, and probably won't secure an outing prior to Beijing's annual summer blackout on foreign films, which typically descends on the market in early July.

Source: The Hollywood Reporter by Patrick Brzeski

Puff Kuo poses for photo shoot

Motion Picture Academy invites hundreds of new, diverse members

$
0
0

(China Daily) The Academy of Motion Picture Arts and Sciences has send out invitations to 928 potential new members to reflect its push for diversity.

Among them are Chinese actor Andy Lau, actress and director Sylvia Chang, Chinese-Japanese actor Takeshi Kaneshiro, directors Lou Ye and Liu Jian, screenwriters Yan Geling and Wang Huiling, as well as film moguls Wang Zhonglei and Wang Zhongjun of Huayi Brothers and Yu Dong of Bona Film.

New inductees come from 59 different countries and 49 percent are female, according to ABC news. Furthermore, 38 percent are people of color.

This is the latest effort by the Academy — which has been criticized several times in the past, including the 2015 movement #OscarsSoWhite and its seeming preference for males — to better diversify from its membership to the recipients of its sought after Oscars.

This is not the first time the Academy has expanded its reach. The number of members invited has increased steadily over the past few years, from 332 in 2015 and 683 in 2016 to 774 last year. If all new members were to accept, the Academy will have a total of 9,226 members under its roof.

With the new additions, the academy membership would be 31 percent female, up from 28 percent, and 16 percent people of color, an increase from 13 percent.

Faces from China are making deeper impressions on the scene. Last year, actors Jiang Wen, Tony Leung and Donnie Yen, actresses Maggie Cheung and Carina Lau, as well as directors Ann Hui, Peter Chan and Feng Xiaogang were all invited.

Two Oscar nominees from last year, Timothée Chalamet and Kumail Nanjiani, were also invited, as were influential actors Mindy Kaling, Tiffany Haddish and Emilia Clarke.

Source: China Daily

Chinese American actress Lucy Liu to receive star on Hollywood Walk of Fame

$
0
0

(Xinhua) Chinese American actress Lucy Liu is among the entertainment industry professionals selected Monday to receive a star on the Hollywood Walk of Fame in 2019.

The new members were announced via live stream on the Walk Of Fame's website.

"I know the fans, tourists and the Hollywood community will be pleased with our selections. We are excited to see each and every honoree's face as they unveil that majestic star on Hollywood's most famous walkway!" Television Producer and Walk of Famer Vin Di Bona said at a press conference.

The Hollywood Walk of Fame Class of 2019 consists of four divisions, including Motion Pictures, Television, Recording and Live theatre/Live Performance.

The 49-year-old Liu will be recognized for her television work. She became known for her role in the series "Ally McBeal," for which she was nominated for a Primetime Emmy Award and a Screen Actors Guild Award.

Liu's film work include starring as one of the heroines in "Charlie's Angels" (2000), portraying O-Ren Ishii in "Kill Bill" (2003) and starring roles in "Shanghai Noon" (2000) and "Chicago" (2002), and the animated film series "Kung Fu Panda" portraying the character Master Viper.

According to IMDB, Liu was born in an immigrant family in Queens, New York. Her mother Cecilia, a biochemist, is from Beijing, and her father, Tom Liu, a civil engineer, from Shanghai.

Since Liu's family spoke Mandarin Chinese at home, she did not learn English until the age of 5, according to IMDB. In her professional career, "she has always tried to balance an interest in her cultural heritage with a desire to move beyond a strictly Asian-American experience."

Besides Liu, Daniel Craig, Robert De Niro, Guillermo del Toro, Anne Hathaway and dozens of other stars were on Monday's list.

Source: Xinhua

Golden Goblet awards unveiled at Shanghai film festival

$
0
0

(Xinhua) The movie "Out of Paradise", jointly shot by Switzerland and Mongolia, won the best feature film award at the Shanghai International Film Festival.

Other Golden Goblet awards, including the best director, the best actress, the best actor and the best documentary film, were also unveiled on Sunday evening at the 21st Shanghai International Film Festival.

China's film "Ala Changso" won the awards of the jury grand prix and the best screenplay.

U.S. actor Tye Sheridan won the best actor award due to his good performance in "Friday's Child", while Isabelle Blais of Canada won the best actress award due to the film "Tadoussac".

Siblings Rodrigo and Sebastian Barriuso shared the best director award with their film "A Translator."

Source: Xinhua

Actor Lei Jiayin poses for fashion magazine

$
0
0

Actor Lei Jiayin


Source: China Daily

Guli Nazha poses for fashion magazine

$
0
0

Actress Guli Nazha


Source: Xinhua

Dwayne Johnson’s 'Skyscraper' Scores Rare China Release Date During Summer Blackout

$
0
0
(THR) Legendary Entertainment and Universal's upcoming Dwayne Johnson action thriller Skyscraper has locked down a July 20 release date in China, securing a rare slot right in the midst of Beijing's usual summer blackout on imported Hollywood fare.

The involvement of Legendary, which is owned by Chinese conglomerate Dalian Wanda Group, and the film's setting in Hong Kong, may have played a hand in Skyscraper getting permission to screen during the lucrative summer window, which is usually reserved for domestic Chinese releases.

Other major Hollywood summer titles, such as Disney and Marvel's Ant-Man and the Wasp (opening in the U.S. on Friday), have yet to land dates in China. Skyscraper will open between two major Chinese tentpoles: Jiang Wen’s Hidden Man (July 13), which Warners is co-producing, and Tsui Hark’s Detective Dee: The Four Heavenly Kings (July 27).

Johnson stars in Skyscraper as former FBI Hostage Rescue Team leader and U.S. war veteran Will Ford, who now assesses security for skyscrapers. On assignment in China he finds the tallest, safest building in the world suddenly ablaze, and he’s been framed for it. A wanted man on the run, Will must find those responsible, clear his name and somehow rescue his family, who are trapped inside the building above the fire line.

Skyscraper is written and directed by Rawson Marshall Thurber (who also helmed Johnson's comedy Central Intelligence), with Neve Campbell and Pablo Schreiber co-starring. The film opens in North America on July 13, with most of the rest of the world following that same week.

The Rock is one of Hollywood's biggest box-office draws in the Middle Kingdom, as he is everywhere. On Tuesday, Johnson sent the Chinese audience a shoutout over Instagram after Rampage, his most recent release, became his biggest star vehicle to date in China. Also Warner Bros’ second-highest grossing film of all time in China, Rampage earned $156.4 million there, compared to the $97.6 million in North America (Johnson clearly isn't counting his Fast and Furious movies as personal star titles, however, given that Furious 7 and Fast 8 both earned over $200 million more than Rampage in China).

"I’m extremely grateful to the people and culture of China for embracing me and my films the way they have over the years," Johnson posted. "Thank you for your love and support — and as always, I look forward to coming back!"

Source: The Hollywood Reporter by Patrick Brzeski

'Shoplifters' director influenced by Chinese filmmakers

$
0
0

Tickets for the latest Palme d'Or-winning "Shoplifters" may be the most sought after during the Shanghai International Film Festival. The director said he was influenced by Chinese filmmakers and hoped for more exchanges.
Screenings of "Shoplifters" were sold out in seconds even before the festival began. The director Hirokazu Kore-eda, actress Mayu Matsuoka, and 11-year-old child actor Jyo Kairi came to Shanghai to greet movie fans while media outlets reporters packed a Shanghai theater on June 23.
"After I won the Palme d'Or at the Cannes Film Festival, more and more audiences paid attention to me," Kore-eda said, "I hope more Chinese people will love this film and in the future, I hope I can make a film more easily and smoothly."
In recent years, more Japanese films hit Chinese theaters including Kore-eda's "The Third Murder." The director said he was influenced by master Chinese filmmakers. 
"Before I started to make films, Chinese directors such as Zhang Yimou and Chen Kaige were very popular in Japan. I also really like Hou Hsiao-hsien and Jia Zhangke, who is a very good friend of mine. These people helped me think of the type of film I wanted to make, and how to present the stories about my country and society via films," Kore-eda told the audience, hoping Chinese and Japanese filmmakers can make more exchanges with each other. 
The director revealed that he didn't have a particular style, "The cinematography and camera work all depend on the subject and content I want to shoot. But ever since the early days of making films, I was always focused on the actors' emotions and my work is largely focused on my characters and their roles. "
He said he still wanted to make more family films that touch the audience's heart. "After my parents died and my child was born, I have a new perspective on family. Maybe when I grow older, I will make family films that express different feelings."
"Shoplifters" tells a touching, albeit bittersweet story about a marginal family coping with their poor life by shoplifting. The award-winning film is expected to be released in China soon, according to Road Pictures which acquired the rights of "Shoplifters" at the Cannes Film Festival this May.
Source: china.org by zhang rui

Stills from Fat Buddies

$
0
0

Fat Buddies is scheduled to hit theatres on September 30, 2018.


Source: Xinhua

Stills from Jiang Wen's Hidden Man

$
0
0

Hidden Man is scheduled to hit theatres on July 13, 2018.


Source: Xinhua

Huang Shengyi poses for photo shoot

$
0
0

Actress Huang Shengyi


Source: Xinhua

Jiang Mengjie poses for fashion magazine

$
0
0

Actress Jiang Mengjie


Source: Xinhua

China issues new rules to stop movie stars evading tax: Xinhua

$
0
0
(Reuters) - China will take action to curb tax evasion and control “unreasonable” rates of pay in the film industry, the official Xinhua news agency said late on Wednesday, citing a notice issued by China’s film and tax regulators.

It said illegal payment practices, including the drawing up of fake contracts in order to falsify income declarations, were driving up production costs, undermining overall product quality and damaging China’s film industry, now worth $8.6 billion.

New standards needed to be formulated to cap payments granted to actors, with salaries not permitted to exceed 40 percent of total production costs, it said. Payments to stars should amount to no more than 70 percent of total wage costs.

The document also said measures needed to be taken to rectify the “blind chasing of stars” among Chinese youth, curb the “growing tendency towards money worship” and prevent “the distortion of social values”.

It said “social benefits” should be the biggest priority, and the one-sided pursuit of box office returns, ratings or online clicks should be “firmly opposed”.

China said earlier this month that it would launch investigations into tax evasion in the country’s film and television industry after a series of famous names were accused of signing fake contracts.

Source: Reuters; Reporting by David Stanway and Wang Jing; Editing by Michael Perry

‘Animal World,’ Chinese gambling manga adaptation, debuts in China

$
0
0

(Global Times) While recent Chinese adaptations of Japanese works have been getting the cold shoulder in China, Animal World - a film adaptation of Fukumoto Nobuyuki's gambling-themed manga Gambling Apocalypse Kaiji, which mixes imaginative clown-monster battles with a Hunger Games-type survival competition - is very likely to break this trend.

Hitting Chinese mainland theaters on Friday, the film had already raked in more than 30 million yuan ($4.5million) in presales and limited release screenings by Thursday. Its "want-to-see" votes on Chinese ticketing platform Maoyan stand at 187,000 votes, topping the nine other films set to be released the same day including the Sylvester Stallone-led Escape Plan 2: Hades, which has 142,000 votes.

The film is also set to premiere in Singapore and Thailand as well as kick off a limited release run in the UK and Ireland on Friday.

Sensitive topic

Retaining most of the plot of the original work, Animal World focuses on a story about gambling - a genre that mainland films rarely touch upon.

The film follows Zheng Kaisi (played by Li Yifeng), a troubled young man who is in debt to the tune of several million yuan. To pay off his debt, Zheng must survive a dangerous game set on a cruise ship along with other desperate debtors.

However, the term "gambling" is barely mentioned in the film and the deadly gambling game depicted in the original story is simply referred to as "a game" in the film - probably to ensure the film could pass China's censors.

Normally, illegal activities such as gambling are not allowed to be the main focus of Chinese mainland TV and film productions, and while imported works shown on online platforms used to be able to get around this restriction, the online content management ban implemented in June of 2017 caused these restrictions to extend to even them.

For example, gambling-themed Japanese anime Kakegurui - Compulsive Gambler was forced to change its title and later was taken off Chinese streaming site Youku after its fifth episode aired in July of 2017.

Chinese 'Deadpool'?

The film's English trailer on Youtube, which focused on the fast-paced and thrilling clown versus monster battles that take place in the main character's imagination in the movie, also sparked discussion among the platform's users, who dubbed the film as the "Chinese Deadpool" or "Deadpool plus It [the 2017 US horror movie about an evil demonic clown]."

"The clown in the film, on the one hand, represents Zheng's low self-esteem, mental trauma as well as his hidden potential; on the other hand, it also echoes Zheng's job as a an actual clown," the film's director Han Yan - known for his 2015 film Go Away Mr Tumor, China's Oscar pick that year - said at a Monday prescreening event in Beijing.

Discussing the film's name, Han said the reason he insisted on changing it to Animal World instead of using the original Japanese is that the film features characters struggling with their "animal instincts" and humanity and depicts a world that follows the law of the jungle.

"But I was deeply moved by the hero's choice at the end of the story when I first read the original, his persistence on standing by his morals even after he was betrayed several times. I made only a few changes to this part as it's kind of the core of the story," Han said.

Also, as the film involves lots of mathematics and game knowledge, the director also invited experts and professionals to act as the film's "logic counselors" while shooting to ensure that no cracks would creep into the story's logic, according to media reports.

Currently, Han and his team are already working on the sequel. However, since the following two stories in Gambling Apocalypse Kaiji are darker, "we might make some adjustments in the sequel but will, of course, first obtain permission from the original author," Han said at the event.

Source: Global Times By Huang Tingting

Headlines from China: Zhang Yimou’s Next Film Unveiled

$
0
0

(CFI) China’s film bureau released a new batch of approved film projects.

A film named One Second directed by Zhang Yimou and written by Zou Jingzhi appears on the list.

In 2014, Zhang collaborated with Zou for the first time on drama film Coming Home. Set in the 1970s in northwestern China, One Second tells a story that happened between a homeless person and a farm worker who is also a film buff. Huanxi Media, the company that had entered a deal with Zhang recently, is producing this film.

In the following six years, Huanxi Media owns exclusive rights to invest in three online TV series directed by Zhang Yimou.

In addition to Zhang Yimou’s One Second, the best film of 2017 FIRST International Film Festival Laughing to Die (Xi Sang) and Disney’s Mulan are also on the list.

Source: China Film Insider

Wang Ou poses for photo shoot

Top actress Li Bingbing covers fashion magazine

$
0
0

Actress Li Bingbing


Source: China Daily

Makers of Chinese War Movie With Bruce Willis Deny Financial Wrongdoing

$
0
0

(Variety) In the wake of a government clampdown on financial misdeeds in the film industry, the production team behind Chinese wartime action drama “Unbreakable Spirit,” featuring actor Bruce Willis, has defended the movie from accusations of tax evasion and money laundering.

An unusual public statement signed by the film’s key crew members was released shortly after Chinese authorities issued rules on actors’ pay following revelations of “yin-yang contracts” – double contracts for a single job – used to hide income. The authorities warned Wednesday that dubious practices risked undermining “the health and ecology of the film and television industry.”

The statement by “Unbreakable Spirit’s” production team declared that the movie’s budget did not exceed the original estimate, stars were not overpaid and production crew members would not receive a cut of the box office. Among the statement’s signatories was director Xiao Feng.

“Unbreakable Spirit” (called “The Bombing” in Chinese) features an ensemble cast including Willis, Liu Ye, Nicholas Tse, Adrien Brody and Fan Bingbing, China’s most famous actress. The movie tells the story of the Japanese bombing of Chongqing during World War II. It’s set to open in China on Aug. 17.

The film has had a troubled history. According to the public statement released Wednesday, production agreements were signed by four companies in early 2015. But one of the original investors, Shanghai Hehe Film & Television Investment Co., bailed after its parent company, Shanghai Kuailu Investment Group, was caught up in a box-office fraud scandal surrounding “Ip Man 3” in March 2016. Shi Jianxiang, Kuailu’s former chairman and the original producer of “Unbreakable Spirit,” fled the country, and is currently on China’s international wanted list.

The statement said that one of the investors, Beijing-based Yuanhua Pictures Co., agreed to shoulder the costs initially borne by Hehe in order to keep the production going.

Meanwhile, TV host Cui Yongyuan – who earlier this month exposed yin-yang contracts allegedly signed by Fan – has alleged that there were similar contracts worth 750 million yuan ($113 million) relating to actress Huang Shengyi, who also appears in “Unbreakable Spirit.” Cui, a former friend of fugitive Shi, was on board in the early stage of the movie’s production as an advisor.

“Unbreakable Spirit” executive producer Wang Ding told Chinese media that, despite the film’s financial difficulties, the total production cost did not exceed the original estimate of 150 million yuan ($22.6 million), and did not run into billions of yuan as rumored. When the project was unveiled three years ago, sources estimated the budget to be about $90 million.

Wang denied allegations of tax evasion and money laundering during production. “The fact is we have been facing a great deal of [financial] difficulties to keep the movie’s production going,” he said.

The production team did not pay overpriced fees to the actors, Wang said. “All the fees paid to the main cast appearing in the final cut of the film were agreed to below the market price….All the cast members were enthusiastic about their participation in this war drama, and no one asked for an exorbitant fee,” he said.

Director Xiao also said that none of the production crew members would have a share of the box office receipts.

But neither he nor Wang responded directly to the allegations of yin-yang contracts.

Source: Variety By Vivienne Chow

Local Hits Power Chinese Box Office to Strongest First Six Months Ever

$
0
0

(Variety) Local blockbusters “Operation Red Sea” and “Detective Chinatown 2” powered the Chinese box office to its best-ever first six months of the year, with domestic productions accounting for nearly 60% of receipts, a significant increase from the same period last year.

According to the half-year industry report from China’s Ent Group, box office as of Friday for the first six months of 2018 totaled 31.6 billion yuan ($4.77 billion), with 889 million viewers, up more than 16% from the 27.2 billion yuan ($4.1 billion) recorded in the first half of 2017.

Domestic productions accounted for 18.8 billion yuan ($2.8 billion), or 59.6%, of the total. It was a huge increase from the 10.5 billion yuan ($1.59 billion) that accounted for 39% of total box office during the same period last year. Of the 40 movies released this year that have achieved more than 100 million yuan ($15 million), 18 were domestic productions.

The wild success of homegrown films was driven largely by military blockbuster “Operation Red Sea” and crime thriller “Detective Chinatown 2.” The former raked in more than 3.6 billion yuan ($544 million), becoming the second-highest grossing film of all time in China after last year’s “Wolf Warrior 2.” “Detective Chinatown 2” grossed 3.4 billion yuan ($513 million). Fantasy comedy “Monster Hunt 2” took in 2.2 billion yuan ($332 million).

Box office records show Chinese audiences continue to embrace foreign-language films produced outside of Hollywood, particularly Bollywood. So far this year, four of the five best-performing films imported into China for a flat fee (instead of for revenue-sharing) were Indian titles, with “Bajrangi Bhaijaan” on top, with 285 million yuan ($43 million). “Secret Superstar,” co-produced by Aamir Khan and imported on a revenue-sharing basis, scored the most out of all Indian films in China, earning 747 million yuan ($112.8 million).

China overtook North America as the world’s biggest movie market in the first quarter of 2018 but lost the throne mid-year, with North American box office hitting nearly $6 billion through June.

Source: Variety By Vivienne Chow
Viewing all 18507 articles
Browse latest View live