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'Animal World' tops China's box office on opening day

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(China Daily) As one of the most hotly anticipated blockbusters of the summer, Han Yan's Animal World has managed to top China's box office charts on its opening day.

With a high-profile cast including pop idol Li Yifeng, actress Zhou Dongyu and Hollywood star Michael Douglas, the movie hit local theaters — including more than 500 IMAX cinemas — on June 29.

The movie raked in nearly 70 million yuan ($10.6 million) on Friday and is estimated to gross at least 500 million yuan, according to Chinese film database Maoyan.

Adapted from Japanese artist Nobuyuki Fukumoto’s manga series Ultimate Survivor Kaiji, the
Chinese movie recounts the story of young man who finds himself heavily in debt, and is forced to attend a mysterious gambling party on a ship.

Directed by Han, 35, who shot to fame from Go Away Mr Tumor, a comedy which was selected to represent China to bid for best foreign language film at the 88th Academy Awards in 2015.

During the production, Han used a smartphone to shoot "sets" built out of Lego bricks to make the fantasy elements more visible to the cast and crew, and make his stage directions easier to follow.

The movie's visual effects were created by Weta Digital, a New Zealand company founded by The Lord of The Rings director Peter Jackson.

Earlier this month, Netflix acquired the international digital rights to Animal World for all markets outside China.

Source: By Xu Fan | chinadaily.com.cn

Highlights of Chinese models at 2018 F/W Paris Haute Couture

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Chinese model Liu Chunjie at a runway during the 2018 F/W Paris Haute Couture Fashion Week.


Chinese model Chen Siqi at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Chinese model Kang Sijia at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Chinese model Xu Jing at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Chinese model Zhou Shujing at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Chinese model He Cong at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Chinese model Gao Ying at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Chinese model Xu Jing at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Chinese model Jiang Xiaoyi at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Chinese model Zhao Jiali at a runway during the 2018 F/W Paris Haute Couture Fashion Week.

Source: By Li Hongrui | chinadaily.com.cn 

Tan Zhuo poses for photo shoot

No End to Blockbuster Growth in China Box Office

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(Caixin) China’s box office receipts expanded 18% year-on-year in the first six months of 2018, after surpassing North America in single-quarter takings for the first time ever.

The nation collected total ticket receipts of 32 billion yuan ($4.8 billion) for the first half of this year, according to industry tracker Ent Group.

Local titles performed particularly well, accounting for a total of 59% of takings, up from 39% last year. However Hollywood movies still made up four of the top 10 highest-grossing films.

The top three movies were action flick “Operation Red Sea,” which raked in 3.7 billion yuan; crime thriller “Detective Chinatown 2” with 3.4 billion yuan; and “Avengers: Infinity War” a Hollywood superhero blockbuster that pulled in 2.4 billion yuan.

Three other Hollywood films on the list include “Jurassic World: Fallen Kingdom,” sci-fi film “Ready Player One,” as well as action adventure “Rampage.”

China caps foreign movie releases at 34 per year. Hollywood has been in talks with Beijing since last year to increase the quota to 50, but to no avail so far, according to American entertainment weekly Variety.

China overtook the U.S. as the largest movie market by quarterly rankings for the first time ever in the first quarter of the year, taking in 20 billion yuan in a period boosted by the week-long Lunar New Year holiday in February. The country, which displaced Japan in 2012 as the second-largest movie market, quadrupled annual takings to 55.9 billion yuan in 2017.

Alibaba Group Holding Ltd., Baidu Inc. and Tencent Holdings Ltd. are riding the cinematic boom, each having stakes in the filmmaking industry.

The e-commerce giant’s affiliate Alibaba Pictures Group Ltd. told Caixin in June that the company has “set no limit” (link in Chinese) for its investment in good-quality content production despite company finances still being in the red.

“Content is king,” said CEO Fan Luyuan, adding that Alibaba Pictures is stepping up efforts to develop younger scriptwriters and directors and has set up five production houses with a slew of new titles in the pipeline.

Founded in 2014, the studio saw net losses widen to slightly over 1 billion yuan last year, from 976 million yuan in 2016. However, its film and television production operations earned the first-ever profit of 4.1 million yuan, turning around from 243.5 million yuan in losses the previous year.

Source: Caixin By Jason Tan

Chinese ‘Dallas Buyers Club’ focuses on the illicit import of generic anticancer drugs from India to China

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(Global Times) Three years ago, Chinese merchant and leukemia patient Lu Yong was charged with selling "fake" drugs; today, his story has become the basis for a new domestic film that looks ready to win big at the Chinese box office.

Set to hit Chinese mainland theaters on Thursday, Chinese noir comedy Dying to Survive, directed by mainland director Wen Muye and co-produced by renowned directors Ning Hao and Xu Zheng, earned an estimated 115 million yuan ($17.3 million) from advanced limited release screenings that ran from Saturday to Wednesday.

The film has also become one of the most discussed topics on Chinese social media, where moviegoers have passionately described the story as a "moving and realistic five-star work" and how they used up "packets of tissues" to wipe away their tears while watching the film.

The film is loosely based on the story of Lu, who has been regarded as a hero of sorts for importing and selling less expensive generic anticancer drugs from India to Chinese mainland chronic myeloid leukemia (CML) patients who couldn't afford the exorbitant licensed drug produced by Swiss pharmaceutical giant Novartis.

True story

Originally a textile merchant based in Wuxi, East China's Jiangsu Province, Lu was diagnosed with CML in 2002 at the age of 34. Paying 23,500 yuan ($3,500) a month for the Novartis-produced Glivec prescribed by the hospital over a period of two years, Lu was driven to the edge of bankruptcy. 

As he set about looking for alternative treatments, Lu discovered Veenat, a generic India-produced drug that is almost equivalent to Glivec in terms of dosage, strength and quality.

The drug cost an average of $600 for a month's dosage, a price which later dropped to $30 over the following years, according to a Global Times report in 2015.

Though Veenat and other generic versions of Glivec are approved drugs in India, they are not officially licensed in China and are therefore considered counterfeit drugs.

After trying the medicine himself, Lu shared the information about Veenat with his fellow patients in an instant message group and later helped hundreds of mainland CML patients who couldn't afford Glivec buy the generic version from India, according to the Global Times report.

Lu was charged with promoting counterfeit drugs in 2014 and was arrested in January 2015 for failing to appear in court. Fortunately, more than 1,000 patients whom he sold drugs to petitioned the court for his release and two weeks later prosecutors dropped charges.

Artistic license

While retaining most part of Lu's experiences from 2004 to 2014, Dying to Survive made several major adjustments for "artistic reasons," Wen, the film's director, told reporters at the film's Beijing premiere on Monday.

By portraying the hero Cheng Yong (played by Xu Zheng) not as a leukemia patient but as an adult store owner who starts importing medicine for money before having a change of heart, the film "showcases the profound evolution of an ordinary person," Wen explained.

"I met Mr Lu for the first time when we started filming. He is an ordinary person but possesses a heroic spirit and benevolence that moved us all. I am very proud to be part of this film," said Xu, the film's lead actor and co-producer, at the event.

Lu, who also showed up at the Monday event, admitted that he was not happy about the film's portrayal of the main character at first, but gradually came to understand why the changes were made after talking with the production team.

"It should be noted that I never set out to make money from importing medicine," Lu said.

"China's drug market has undergone dramatic changes since 2015… I was one of first group of CML patients to turn to Indian-produced generic drugs, many fellow patients came to me because, at the time, CML drugs were not covered by our medical insurance system," he said.

But with the inclusion of Novartis' Glivec into a number of provinces and cities' medical care systems, as well as the zero-tax policy for imported anticancer drugs that started in May and the recent release of new Chinese-produced generic drugs, "fewer and fewer CML patients seek me out because more and more of them can afford medicine now," Lu said at the event.

High anticipation

Featuring a social issue that barely any recent Chinese films have touched upon, the film has been applauded by many film critics and moviegoers for its realistic portrayal. This praise has helped push up the film's "want-to-see" votes on Chinese ticketing platform Maoyan to an impressive 145,000.

With this high anticipation and prescreening earnings, some film analysts predict the film may earn 3 billion yuan in total at the box office.

"By tackling a topic about Indian generic medicine, this Chinese film might reach a height parallel to that of the famous Indian social dramas Dangal and Bajrangi Bhaijaan," wrote Sina Weibo user Hualuo Chengshi.

"The first realistic movie to depict a law-breaker of integrity since the establishment of New China… it is not simply a Chinese version of Dallas Buyers Club, but an excellent work destined to shine in China's film market," wrote film blogger Tubin'gen Mujiang on Sina Weibo.

Source: Global Times By Huang Tingting

Cast from Skyscraper attend event in Beijing

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Skyscraper is set to hit theatres on July 20, 2018.


Source: Xinhua

Supermodel Ju Xiaowen releases fashion photos

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Supermodel Ju Xiaowen


Source: China Daily

Puff Kuo poses for photo shoot


New TV show puts foreigners in unique jobs in China

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(China Daily) Nearly 500 expats from across the globe, including those working and studying in China, have applied to participate in a reality television show to experience unique jobs with Chinese characteristics for one day.

The jobs include taking care of pandas in the Chengdu Research Base of Giant Panda Breeding in Sichuan province, becoming a kung fu apprentice at Shaolin Temple in Henan province, taking on the role of a high-speed train maintenance worker in Wuhan, Hubei province, and learning how to be chef of hand-pulled noodles in Lanzhou, Gansu province.
Only one applicant will be selected for each of the eight jobs, according to the team from "I'm in China", a State-supported media project that aims to share the culture and history of China.
Applicants with relevant work experience and are fluent in Mandarin are preferred, according to the team.
Details regarding the application were released on professional networking website LinkedIn on June 20. So far, the job at the panda base in Sichuan province has garnered the strongest response.
"We believe LinkedIn will help the TV show organizer find the best candidates, who will in turn work as ambassadors by sharing their real experiences of Chinese culture with the world," said Huang Lei, marketing and public relations director at LinkedIn China.
Source: China Daily

S.Korean music and dramas becoming growing cultural power in China

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(Global Times) Bands like EXO, Wanna One, BTS, and TV series such as Misty and Descendants of the Sun are some of the first things that pop into people's minds when it comes to South Korea.

Recently K-pop boy band BTS captured the world's attention by topping the Billboard charts with their album Love Yourself: Tears, the first non-English album to do so over the past 12 years. The rising popularity of South Korean pop culture is nothing new in China, where BTS, together with other celebrated K-pop bands and various TV shows, have huge fan bases. The so-called Korean Wave, or Hallyu, is penetrating many aspects of Chinese people's lives, leading to different entertainment tastes and aesthetic values.  

New Korean Wave

The term "Korean wave" first appeared in China during the 1990s, a time when K-dramas and K-pop began to spread across the country. Following the classic TV series What is Love (1992) - the first South Korean series to air on China Central Television in 1997 - the cultural wave came into a climax in the 2000s when a string of South Korean dramas became house-hold names in China, such as Autumn Fairy Tale, The Temptation of Eve, Miss Mermaid, Full House and Stairway To Heaven. The actors and actresses in the series also became widely known celebrities in China.

However, the cultural wave declined after 2007 due to the homogonous nature and lack of creativity on display in these programs. The "Three Treasured Korean Plots," - cancer, amnesia and death - which once drew tears and broke hearts among Chinese audiences, became tired memes that people laughed at.

However, a new Korean wave soon hit again after 2012 as brand new ideas took off and productions that better suited modern audience's demands, lifestyles and ideologies appeared. The popular 2013 show You Who Came from the Stars and The Heirs quickly won back the hearts of many Chinese fans.

"There is an obvious gap between the old-fashioned South Korean 'cancer dramas' and new TV productions. We were captured by these creative plots almost immediately," said Shi Qihui, a Chinese fan in her 20s who has been watching South Korean TV dramas for more than a decade.

The complete disappearance of cliché storylines and introduction of fast-paced plots, creative settings and more female-orientated and straight-forward romantic relationships have been some of the key factors behind these shows' success.

What is noticeable is that female characters have changed dramatically. Instead of depicting "kind and sweet yet vulnerable" women, strong and independent female characters have become the norm for many shows and fan favorites due to women's increasing social status. The women characters in popular show Descendants of the Sun and the recent Misty are typical examples.

"Shows are always changing, culturally and ideologically, to meet our needs. I think that is why they can stay popular for such a long time," said Shi.

One selling point seems to remain the same as before: "Giving you what you lack," Quan Long, a presenter and producer for Shandong TV, told the Global Times.

"No matter what the story is, the core part is to give you something fancy that you can't really achieve in real life. Say for instance, a handsome and almighty boyfriend, love that crosses social classes, a romance across time and so on," Quan noted. He added that the increased diversity of genre has also helped to boost these TV series' popularity. For instance, crime/detective dramas and judicial-themed shows tend to capture the attention of 30-somethings.

Idol culture

Another key element that has boosted the new "Korean Wave" in China has been the comprehensive introduction of South Korean variety shows. These shows, including both original South Korean ones and localized Chinese versions, have been a great platform for introducing popular South Korean culture to China.

"The industry has already entered a pan-entertainment introduction era, an upgrade from the previous more simple era during which cultural products were just imported into the country," said Jiang Haijun, a cultural industry researcher at the International Cooperation Center under China's National Development and Reform Commission. He noted that the wide introduction of South Korean TV programs and their formats, such as the recent idol competition Produce 101 and reality shows Running Man, Where are We Going, Dad? and Infinite Challenge have caused Chinese audiences to embrace trendy K-pop culture and idols.

Meanwhile, the brands and products surrounding these programs and dramas have further enriched South Korea's cultural and business influence, according to Jiang. For example, make-up and clothing worn by South Korean actresses in popular shows have seen a boost in sales in China.

"One of the fun parts of watching South Korean TV dramas is to study the way they dress and do their make-up. I have also ended up buying many of the skincare products they use," Shi noted, adding that South Korean idols are more "professional" and "entertaining," which is what attracts her to them. Her most recent love is Kang Daniel from Wanna One.

Quan echoed Shi's observation.

He stressed that the "idol trainee system" in South Korea is much more developed than in China. This allows these entertainers to be better trained, more qualified and better at marketing than their Chinese counterparts when they make public debut both in terms of "talent" and "image-building." In addition, they are better able to cater to younger audiences in the way they promote themselves and interact with their fans.

"Take BTS for example, they were trained by BigHit Entertainment for years and are really good at their jobs. They are extremely active on social media, such as Facebook, and never forget to interact with their fans," said Quan.

Source: Global Times By He Keyao 

Huang Xiaoming promotes Chinese cartoon film 'Happy Dad and Son' sequel

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(China Plus)  A new Chinese animation is due to open in theatres on Friday to coincide with the start of the summer holiday season for school children.

"New Happy Dad and Son 3, Adventure in Russia" follows the tales of a family composed of a big-headed son and his small-headed dad.

Singer-actor Huang Xiaoming sang a promotional song for the new animated comedy.

The film's Art Director, Xu Zheng, says they have made sure to incorporate Russian scenery into the film.

"In preparation for the film, we have done a lot of research on a large collection of pictures about Russian architecture and beautiful landscapes. We developed the idea from a painting done by the big-headed son to bring audiences a fantastic wonder-world The White Night City. It's a story about
children's dreams."

The previous two films in this series hit theatres in 2014 and 2016.

Source: China Plus by Xu Fei

Street shots of Jin Chen

Jiang Mengjie poses for photo shoot

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Actress Jiang Mengjie


Source: Xinhua

New way to stardom

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(China Daily) Talent shows are not new to Chinese television and video platforms. Love them or hate them, the genre which brings young Chinese wannabe singers into the spotlight is not in any danger of fading away.

Last summer, when a talent show, titled The Coming One, was released on the streaming platform, Tencent Video, it achieved phenomenal success.

The 15-episode series, which targeted 12- to 24-year-olds, featured young male Chinese singer-songwriters. Each of the episodes attracted about 300 million viewers online.

For three months, the singer-songwriters competed, with the top nine people getting the opportunity to launch their own music.

The champion of the first season Mao Buyi was one of the most successful young musicians of 2017.

Speaking about how The Coming One - which goes into season 2 with one show a week from June 30 - is different from other shows, Long Danni, one of the co-initiators of the show, says: "In China, talent shows are the fastest way to produce stars, but many shows have similar formats - imitating shows from the United States or South Korea. The result is that when the show ends the competitors are forgotten.

"Originality is crucial for China to develop its own talent shows and to produce real stars. That is what we aim for."

Last year, Long launched her company, Wajijiwa Entertainment, and worked with Tencent Video on the reality show.

Her company, which signs a contract with the winners of the show, supports the singer-songwriters' careers by releasing albums and helping to organize tours.

Long, who is considered the "godmother of Chinese talent shows", produced one of China's most popular televised talent shows, Super Girl, in 2005, which attracted millions of viewers and propelled the winner Li Yuchun to become one of the biggest pop icons in China.

Li is one of the coaches on the second season of The Coming One.

Speaking about the upcoming show, Li says: "In the first episode, each competitor has to display their musical talent within 100 seconds.

"It's very challenging to impress people in such a short space of time, but some of them have made it.

"The process of constantly creating music and getting inspired by other singer-songwriters is enjoyable."

The other celebrity coaches who are in The Coming One 2 are Beijing-based singer-songwriter Hua Chenyu, Taiwan singer-songwriter Wu Tsingfong, and Chinese actress Yang Mi.

Celebrity power is a way to attract young audiences, says Long, adding that audience tastes have changed drastically over the years.

"They now want to participate and witness the growth of a singer-songwriter they pick," says Long.

Long also says that for some time she was disappointed with the way the country's music scene was evolving.

"The rampant piracy polluted the environment, and people were not willing to pay for original music, which led to a decline of the music industry.

"What got me excited is that with this reality show we've not only seen young musicians with great talent, but I also see a positive outlook for original music.

"Audiences, especially the younger generation, have also started to pay for music, and they are very interested in original Chinese music."

Speaking about Mao Buyi's debut album, which sold more than 4 million copies online - at 25 yuan ($3.8) each - since it was released on May 30, Long says: "The respect for music from the audience makes me confident about the show and the market."

As for the future, she says: "I am often asked about the next trends in pop music, but I have no answer for that question because it's unpredictable.

"For example, it is believed that younger people are attracted to music with international content, but Mao Buyi won the audience over with a guitar and personal, sentimental lyrics and good melodies.

"Through the show, we look for talented people who represent Chinese youth pop culture."

According to Ma Yankun, vice-president of Tencent Penguin Pictures, one of the studio operations belonging to Tencent, the company has mapped out plans for introducing young Chinese pop idols.

The Coming One was the first phase of the plan.

"We've seen more young singer-songwriters applying to the show after the first season. So, in the second season, the audience will see more diversity in terms of music," says Ma.

Source: By Chen Nan | China Daily

Bittersweet film is medicine for the soul

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(China Daily) Ning Hao and Xu Zheng have come together again to produce a new film-Dying to Survive-as they return to the summer movie season after 12 years.

This time, director Wen Muye joins the team after Ning recognized his talent for portraying realistic themes. It was Ning who handed Wen the script and asked Xu to act in the leading role.
Wen rose to prominence in 2013 for directing the award-winning short film Battle at the first international film festival in Xining, Qinghai province. Dying to Survive is his first feature-length movie and it took him three years to adapt the script from an original piece of writing.
The film is about Cheng Yong, played by Xu, a pharmaceutical salesman who becomes a hero by helping people get cheaper cancer medicine.
The 117-minute film combines both laughter and tears, showing the humanity of one man up against the reality of society.
"It's touching because it focuses on the better side of people, and you can see how society changes, thanks to just one small act of humanity," said Xu at the film's premiere at Tsinghua University in Beijing on Monday, where it received a long round of applause after the screening.
The movie is based on a true story-Lu Yong, who was diagnosed with leukemia in 2002, helped more than 1,000 patients get cheaper, unapproved medicine from India.
Lu was invited to the movie's premiere and, after he watched the whole film, Lu said it shows what happens when people can't afford the high price of imported drugs. He agreed with the message at the end of the movie that the situation was improving thanks to the recent efforts of government.
Actor Huang Xiaoming was also invited to the premiere, and he thought both the acting and the direction were fantastic. "Even though I'm not in the movie, as a filmmaker, I feel proud to watch this piece," he says.
Xu says Wen was born to be a director and he enjoyed the 88-day shoot. "It was like going back to the time when I started out on my acting journey, when I only focused on how to be a better actor."
Wang Chuanjun plays Lyu Shouyi in the film, a character who has leukemia and asks Cheng to start smuggling the medicine from India. His death in the film provides the turning point for Cheng to become a hero.
Wang lost 10 kilograms to play the role and stayed with leukemia patients to observe their daily life. He even kept awake for two whole days to get the right sense for shooting his death scene.
Starting with a limited release on June 30, Dying to Survive has so far grossed 150 million yuan ($22.6 million) for its first two days and achieved a rating of 9.5 out of 10 on online ticketing platform Tao Piaopiao.
It will hit Chinese theaters on Friday, including around 500 Imax cinemas.
Source: China Daily

Wallace Chung poses for fashion magazine

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Actor Wallace Chung


Source: Xinhua

Zhao Lusi poses for photo shoot

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Actress Zhao Lusi


Source: Xinhua

Qin Hailu poses for fashion magazine

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Actress Qin Hailu


Source: Xinhua

Reality show lets the talented shine in music industry

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(China Daily) Singer-songwriter Mao Buyi stands on stage, smiling shyly and gazing at his fans, who are gathering around and screaming out his name. Clearly, the round-faced young man is used to the scene and tries to make eye contact with as many fans as possible.

Last summer, the 24-year-old rose to fame after being crowned champion of reality show, The Coming One, produced and broadcast by Tencent Video.

His fans are attracted to his poetic lyrics and melancholic melodies, and the followers on his Sina Weibo account have grown from 100 to nearly 5 million.

On May 30, he released his debut album, Perfect Day.

According to NetEase Cloud Music, one of China's top music live streaming services, the album recorded 1 million in sales within nine hours. So far, it has sold more than 4 million copies.

The album, produced by veteran singer-songwriter Li Jian and songwriter Zhao Zhao, features six songs, which are based on those performed by Mao Buyi during the reality show alongside six new ones he wrote himself.

After completing the album, Li wrote a message to Mao Buyi on his Sina Weibo saying: "From now on, you will face a lot of pressure as a professional singer-songwriter. You have to take responsibility for your music. You have to protect your talent by reducing unnecessary work, practicing your guitar skills and reading more."

Speaking about his success, Mao Buyi says: "It happened so fast. I never expected to become a singer-songwriter.

"During the past year, I have been traveling to sing in different cities, such as at outdoor music festivals and shooting TV shows. The only holiday I have had was a 10-day break during the Spring Festival early this year."

Mao Buyi, whose real name is Wang Weijia, was born in Tailai county, Qiqihar, Heilongjiang province. He began writing songs two years ago when he started his nursing internship in a hospital in Hangzhou, Zhejiang province.

Then, every day after an eight-hour shift at the hospital, he would pick up his guitar after returning to the dormitory.

Although he had chosen nursing as a career, and was doing his last year at Hangzhou Normal University, he found that it was not suitable for him.

He says he felt numb and very depressed after seeing the suffering of his patients.

"Songwriting was a fun thing to do, and a great way to relieve pressure."

Some of his hit songs, including Drink Sorrow Down and Perfect Day, were written during the internship.

Though he shared his original material online, none of the songs got much attention until he participated in the reality show.

He says that he applied to join the reality show, hoping to meet young people who, like him, are passionate about music and writing their own songs.

Winning the show was the last thing on his mind, but his success changed things.

When he returned home early this year to celebrate Spring Festival with his family, he found he was a celebrity in the small county.

"My father drank with me for the first time when we had dinner, and he seemed relieved that his son has grown up. He is happy that I enjoy the job that I am doing now," Mao Buyi says.

Asked about what he misses most about his life before achieving fame, he talks of the time of being alone in the dormitory and writing songs.

"I never expected that my songs would make money. They are very personal, just like diaries," he says.

For now, Mao Buyi wants to slow down and concentrate on writing songs for his next album.

"I am still trying to figure out what kind of music I like most, and I want to do something that I have not done before.

"The first album is just a review of my life since I started writing songs. I am curious to see what comes next," he says.

According to Ma Hao, vice-president of Wajijiwa Entertainment, which co-launched The Coming One, besides Mao Buyi's debut album, the company also released two albums for young singer-songwriters Liao Juntao and Zhong Yixuan, both performers on the reality show.

Liao and Zhong, both in their early 20s, like Mao Buyi, wrote the songs for their debut albums.

Zhong's album, entitled The Summer of 17 Years Old, is dedicated to young students who are about to graduate from high school. The One by Liao comprises the singer-songwriter's live shows.

Speaking about the albums, Ma says: "These young people are talented. It's exciting to see that their songs are enjoyed and shared by young Chinese music consumers.

"Their success is encouraging for other young singer-songwriters."

Source: By Chen Nan | China Daily

How Drug Smuggler Dramedy 'Dying to Survive' Became a China Box-Office Phenomenon

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(THR) China's latest blockbuster, Dying to Survive, pulled off a rare feat of box-office magic this week: it managed to earn $50 million before it even opened.

A stirring social drama tinged with black comedy, Dying to Survive premiered to rave reviews at the Shanghai International Film Festival in late June. It then hit the road on a promotional tour — as most major Chinese films do these days — holding limited sneak-peek screenings in select cities across the country. With each stop, enthusiasm swelled, and the film soon became China's most widely discussed, critically acclaimed movie in years, scoring a 9.7/10 rating on ticketing service Maoyan — the same scored earned by mega-blockbuster Wolf Warrior 2 ($870 million) in 2017.

The producers cleverly responded by escalating the scale of the previews, and the film began earning millions in prerelease revenue. They then moved its release date forward a full day to Thursday, citing "popular demand"— which only spurred more online excitement and discussion.

As of Thursday night, Dying to Survive had already earned $48.6 million — and it wasn't even supposed to have been released yet. Maoyan's box-office analysts expect the film to add as much as $100 million over the weekend, before ultimately earning upwards of $420 million.

So what's all the fuss about?

Produced by Chinese hitmaker Ning Hao, Dying to Survive tells the story of a shady health supplements supplier, played by comedy favorite Xu Zheng (Lost in Thailand), who smuggles unapproved drugs from India to sell to leukemia patients who can't afford the prohibitively expensive official medication offered by Chinese hospitals. Initially inspired by craven financial interest, the smuggler's motives evolve as he realizes how desperately his customers need help.

The film is based on the real-life story of Lu Yong, a textile trader who was diagnosed with leukemia and spent over $80,000 on official medication before turning to smuggling a vastly cheaper generic alternative from India. He went on to save more than 1,000 lives by bringing the drug into China for other patients, before he was arrested and charged in 2014 with selling fake drugs.

Hundreds of leukemia survivors Lu had helped then petitioned for his release, and he was ultimately freed without penalty by a judge who praised Lu for the way he had never personally profited from the drug sales. After news of Lu's saga spread, many in the local and international media began comparing him to the hero of Dallas Buyers Club, the 2013 Matthew McConaughey Oscar winner about a Texas man who sold unregulated AIDS drugs to help fellow HIV sufferers in the 1980s.

Critics have hailed Dying to Survive as a breakthrough for the Chinese film industry — a rare work of stirring social significance from a film scene typically blocked by censorship from addressing topics related to China's real-life problems. Several preview screenings have ended in standing ovations.

Dying to Survive is the feature debut of 33-year-old director Wen Muye. The film is produced by Beijing Culture, the same studio that was also behind Wu Jing's Wolf Warrior 2. 

Source: The Hollywood Reporter
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