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Shu Qi, Stephen Fung's sudden marriage a happy shock

September 7, 2016, 8:14 am
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Actress Shu Qi and actor-director Stephen Fung suddenly announced their marriage last Saturday, which stunned their fans and celebrity friends.

Shu, 40, and Fung, 42, tied the knot in Prague, where he is directing her in "The Adventurers," a treasure hunt movie also starring Jean Reno and Andy Lau.

The couple released a somewhat playful statement: "Hmm yes, our marriage is so simple. Hmm yes, our dresses are so casual. Hmm yes, our decision is so sudden. Hmm yes we will not hold a wedding banquet and other celebrations. Hmm yes, we've known each other for 20 years and been in love for four years. Hmm yes, I've married her without reservation. Hmm yes, we've decided to become entangled for life. Hmm yes, we have married."

They thanked their fans, adding: "You can miss anything, but don't miss out on the one who loves you."

The statement also added a special "P.S.": "Currently, not pregnant."

It was reported that the marriage ceremony was very short. Fung and Shu were recently shooting the film "The Adventurers," when they did a scene before Prague Castle, Fung was thrilled by the beautiful scene and instantly proposed and was accepted.

Shu also released a set of wedding photos, which were shot by Taiwan's legendary photographer Joshua Lin. As shown in the photos, Shu's H&M wedding dress was actually sent by the retailer two years ago.

Lin revealed yesterday in an interview that Shu called him in last month to ask him to go to Prague for a bridal photoshoot. " I just thought this was her joke, but it turned out to be true."

He said Shu demanded a "natural, simple but not deliberate" style for the photographs; even the roses at the ceremony were bought that day along the way. They finished the photoshoot in just three hours.

The news of their marriage was enveloped in tight secrecy and was so sudden that it surprised fans and even their celebrity friends. Actor Shawn Yue, a friend of both, said on his microblog; "Even I just got to know it by checking the news, I'm so unhappy. But anyway, congratulations and I send my best wishes to you."

Andy Lau, also a producer of their new film, said the entire crew had no inkling of the marriage in advance.

Shu is one of top actresses in China, starring in more than 200 films, including the critically-acclaimed and award-winning "The Assassin" by Hou Hsiao-hsien.

Shu was previously romantically involved with Hong Kong superstar Leon Lai, actor Chang Chen and had rumored romance with others such as actor Daniel Wu and singer Leehom Wang. However, she never settled into a relationship until she and Fung met on the set of the romantic drama "Bishonen" in 1997.

Fung also had a nine-year romance with singer-actress Karen Mok, which ended in 2007.

Source: china.org
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Agent confirms Faye Wong's Shanghai concert

September 7, 2016, 8:18 am
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An agent of China's pop diva Faye Wong has confirmed that she will hold a concert later this year in Shanghai.

The agent also says Wong's daughter Dou Jingtong will not appear on stage with the singer.

The exact date of the concert has not confirmed but is expected to be announced soon, along with the ticket price.

It will be Faye Wong's first concert in five years. During this time, Faya has only been recording songs for movie soundtracks.

The most expensive ticket for her last concert in 2010 was 2,500 yuan, or some 375 in today's US dollars.

Source: CRI
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'The Road To Mandalay' Photocall - 73rd Venice Film Festival

September 7, 2016, 8:18 am
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Ko Kai, Ke-Xi Wu and Midi Z attend a photocall for 'The Road To Mandalay' during the 73rd Venice Film Festival at Villa degli Autori on September 5, 2016 in Venice, Italy.


Source: Zimbio
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Liu Yan poses for ‘Cosmopolitan’ magazine

September 7, 2016, 8:21 am
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Not quite yet Hollywood dazzling

September 8, 2016, 9:16 am
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(China Daily) Last Thursday, hundreds of fans were anxiously waiting to get into a media event of "L.O.R.D: Legend of Ravaging Dynasties" in Beijing. But their enthusiasm seemed to wane after the upcoming fantasy film's latest trailer was screened at the Wanda CBD cinema. There was scattered applause at first. But the screams came only when the star-studded cast appeared onstage.

Its makers say the film, which depicts a fictional wonderland, is an unprecedented Chinese-language title when it comes to computer-generated imagery, as all the sets and characters are the result of digital technology.

Guo Jingming, director and writer of the namesake novel on which the film is based, says the big-budget movie has used motion-capture technology to record facial expressions and moves, which are then converted into virtual images on screen.

When the movie's first trailer was released more than two months ago, it caused a controversy: It was criticized for looking like a videogame or an animated film.

The second trailer, which was screened at the event, however, seems better, with the moves looking a lot less rigid and fake.

In China's booming movie market, the number of such ambitious fantasy productions that stumble in the visual-effects game is not insignificant.

Source: China Daily
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Stills from "Storm"

September 8, 2016, 9:17 am
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"Storm" is set to be released on September 15


Source: Xinhua
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Chinese films gaining attention at international film festivals

September 8, 2016, 9:20 am
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(Global Times) While zero Chinese films have made the shortlist at the ongoing 73rd Venice International Film Festival, one Chinese film that premiered at the festival has managed to capture the attention of the media.

Ni zai na (Where are you), or Breathing as it is known in English, is a crime film focusing on child trafficking. 

Crime films have become a popular genre in China in recent years. From Saving Mr. Wu to The Dead End, a number of crime films have been critical hits with moviegoers. In 2014, Peter Chan's Dearest, starring actress Zhao Wei, also focused on child trafficking in China. It screened at the Venice International Film Festival with the cast and crew appearing on the red carpet. 

This time, it's Breathing that has captured the world's attention with its focus on two serious topics - child trafficking and domestic violence.

Unlike other crime films which usually tell their stories from a man's point of view, Breathing starts from the standpoint of a woman who has suffered domestic violence and then has to deal with the cruel fact that her son has been kidnapped. The film follows her as she spares no effort to get her child back.

The film's director Fan Haolun told media at the festival that he insisted on the use of handheld cameras for the film as they were more suitable for capturing the unique atmosphere of small towns in China. 

"Chinese films should not just blindly try to compete with Hollywood films, otherwise they will gradually lose the dignity that films should possess," Fan said, according to a report from China Radio International. 

Although no films made into the final competition in Venice, Chinese filmmakers are having some success at other international film festivals. 

Chinese-French co-production Night Peacock starring Crystal Liu and Liu Ye, was awarded first prize at the Special Chinese Film Festival at the ongoing 40th Montreal World Film Festival. This also marked the first time Crystal Liu has been nominated for best actress at an international film festival.

Wang Xuebo's Knife in the Clear Water, which focuses on the lives of Muslims living in Northwest China's Ningxia Hui Autonomous Region, was selected for the New Currents program at the 21st Busan International Film Festival, which will be held from October 6-15.

Three other Chinese films were also selected for the same program, Someone to Talk to by Liu Yulin, The Donor by Zang Qiwu and White Ant by Taiwanese director Chu Hsien-che.

Fan said that making up the second largest film market in the world, Chinese audiences' ability to appreciate film is improving, which means many are looking to watch films about different topics and making use of different narrative techniques. 

"Films display a sincerity that comes from the heart and guards against arrogance and rashness. Studying films will keep us from losing ourselves in film market and promote film market reform," he said.

Source: Global Times by Li Jingjing
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Chen Jianbin and Song Jia win top Huading Awards

September 8, 2016, 9:21 am
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The award ceremony for this year's Huading Awards has been held in Hong Kong.

The Huading Awards recognize achievements in the Chinese and international entertainment industries with a focus on films, incorporating both public and industry opinion in the selection process.

Wolf Warriors became the biggest winner at the award ceremony, pocketing five prizes including Best New Director, Best Screenplay, Best Action Choreographer and Best Producer.

It tells the tales of ordinary people fighting for their nation and people.

Guan Hu was awarded the best director for his work in the popular film "Mr. Six."

Mr. Six is about a well respected man residing in what's left of old-Beijing, who attempts to exonerate his son from his wrongdoings with his own methods and beliefs.

The film also pocketed the "Best Film" award at the ceremony.

Chen Jianbin won the best actor for his role in the film "A Fool", which tells the story of a simple farmer from northwestern China saving a mentally disabled street boy.

Song Jia won the best actress for her role in the film "The Master," about the martial arts circles in the early 1900s' China.

Source: CRI
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"The Road to Mandalay" premieres at Venice Film Festival

September 8, 2016, 9:21 am
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Taiwan Director Midi Z's film "The Road to Mandalay" is showing for the first time at the Venice Film Festival.

The film follows two Myanmarese illegal immigrants who escape to Thailand in search for a better future. Instead, they find work in a local factory and they also find companionship and love in each other. 

The stars of the film include Taiwan actors Kai Ko and Wu Ke-xi.

The film is Ko's return to the big screen after a long break, and he is grateful to the director for taking a chance on him.

"There is bound to be pressure because the director dared to cast me. I've never worked with him, I've never worked in this kind of shooting style. I'm afraid to screw up the director's first big budget movie. We all worked very hard to complete this film."　

"The Road to Mandalay" hits theaters in Taiwan on December 9th.

Also at Venice, Natalie Portman's latest movie, "Jackie" has premiered.

"Jackie" tells the story of Jacqueline Kennedy during her time as the US First Lady and after the assassination of her husband President John F. Kennedy in 1963.

The film shows the two sides of Jackie - her public and private personas.

It's one of 20 films showing in competition for the Golden Lion trophy at this year's festival.

The winner will be announced this weekend.

Source: CRI
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Twins release new photos

September 8, 2016, 9:21 am
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Charlene Choi and Gillian Chung pose for photo shoot


Source: Xinhua
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Actress Liu Yifei in Montreal for Film Festival

September 8, 2016, 9:42 am
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Actress Liu Yifei


Source: China Daily
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Peking Opera adaptation of 'The Taming of the Shrew' to be staged

September 9, 2016, 8:29 am
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(Shanghai Daily) Veteran performers of over 10 theater troupes from all over the world will present their latest theater interpretation of Shakespeare classics at Shanghai Theater Academy from September 11 to 17.

The festival will also offer Peking Opera adaptation of the Shakespeare's "The Taming of the Shrew" and modern drama "Hamlet in Shanghai Alley."

Foreign performing artists will host academic workshops with local scholars and students. 

The Shakespeare Festival is a special edition of the 9th Shanghai International Experiment Theater Festival. 

Officials from Shanghai Theater Academy said that it is held to commemorate the 400th anniversary of Shakespeare’s death this year. 

This year's festival is also a collaboration with International Theater Institute.

A total of 15 productions of different styles will be staged. Performances include "Hamlet, Witness of Denmark," a play of Iran, Italian production "Ballad to Shakespeare," UK production "Macbeth: Without Words" and Ukrainian production "King Lear."

Source: Shanghai Daily
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Epic Chinese novel staged in San Francisco

September 9, 2016, 8:32 am
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Chinese tenor Yijie Shi (L) playing Bao Yu and South Korean soprano Pureum Jo playing Dai Yu perform during a final dress rehearsal of the opera "Dream of the Red Chamber" at San Francisco War Memorial Opera House in San Francisco, the United States, on Sept. 7, 2016. San Francisco Opera is going to present the world debut of an opera adapted from the best ever Chinese novel. "Dream of the Red Chamber" in six performances from September 10 to 29 will be the first time for the 18th-century Chinese classic to be transported to the Western operatic stage.


Chinese tenor Yijie Shi (L) playing Bao Yu and South Korean soprano Pureum Jo playing Dai Yu perform during a final dress rehearsal of the opera "Dream of the Red Chamber" at San Francisco War Memorial Opera House in San Francisco, the United States, on Sept. 7, 2016. San Francisco Opera is going to present the world debut of an opera adapted from the best ever Chinese novel. "Dream of the Red Chamber" in six performances from September 10 to 29 will be the first time for the 18th-century Chinese classic to be transported to the Western operatic stage.

South Korean soprano Pureum Jo (Front) playing Dai Yu performs during a final dress rehearsal of the opera "Dream of the Red Chamber" at San Francisco War Memorial Opera House in San Francisco, the United States, on Sept. 7, 2016. San Francisco Opera is going to present the world debut of an opera adapted from the best ever Chinese novel. "Dream of the Red Chamber" in six performances from September 10 to 29 will be the first time for the 18th-century Chinese classic to be transported to the Western operatic stage.

Chinese tenor Yijie Shi (R) playing Bao Yu, South Korean soprano Pureum Jo (L) playing Dai Yu and an actress playing Granny Jia, perform during a final dress rehearsal of the opera "Dream of the Red Chamber" at San Francisco War Memorial Opera House in San Francisco, the United States, on Sept. 7, 2016. San Francisco Opera is going to present the world debut of an opera adapted from the best ever Chinese novel. "Dream of the Red Chamber" in six performances from September 10 to 29 will be the first time for the 18th-century Chinese classic to be transported to the Western stage.

South Korean soprano Pureum Jo playing Dai Yu performs during a final dress rehearsal of the opera "Dream of the Red Chamber" at San Francisco War Memorial Opera House in San Francisco, the United States, on Sept. 7, 2016. San Francisco Opera is going to present the world debut of an opera adapted from the best ever Chinese novel. "Dream of the Red Chamber" in six performances from September 10 to 29 will be the first time for the 18th-century Chinese classic to be transported to the Western operatic stage.

South Korean soprano Pureum Jo playing Dai Yu performs during a final dress rehearsal of the opera "Dream of the Red Chamber" at San Francisco War Memorial Opera House in San Francisco, the United States, on Sept. 7, 2016. San Francisco Opera is going to present the world debut of an opera adapted from the best ever Chinese novel. "Dream of the Red Chamber" in six performances from September 10 to 29 will be the first time for the 18th-century Chinese classic to be transported to the Western operatic stage.

Source: Xinhua
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Why You Should Read China’s Favorite Sci-Fi Epic

September 9, 2016, 8:32 am
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(Bloomberg) There was a moment recently when the internet, parsing a report from scientists at the Search for Extraterrestrial Intelligence Institute, thought we might have received our first interstellar transmission. The hyperventilating headlines gave way a few hours later to cold-water explainers about why it probably wasn’t the work of aliens—or a wrong number. But let’s say it was a real message from 94 light-years away: Should we call back? Anyone who’s read China’s most popular science fiction series, The Three-Body Trilogy, in which author Cixin Liu follows into the far future the consequences of a Chinese scientist who replied to such a signal, would keep silent forever.

The first translated volume, The Three-Body Problem, reached the U.S. in 2014 and wound up on the reading lists of President Obama and Facebook founder Mark Zuckerberg—two people who’ve spent a bit of time contemplating what’s to come. The final volume, Death’s End, arrives in the U.S. on Sept. 20 ($26.99; Tor Books), but you should read the roughly 900 pages of the first two books first so it makes sense. Why, you might ask, should you bother to read that many pages of Chinese sci-fi? 

Especially when you probably haven’t perused much of the Western variety lately? Given how many times we’ve seen the American imagination destroy humanity—Independence Day, War of the Worlds—isn’t it time we let somebody else take a crack? The payoff is a grand—and grim—speculation about the limits of scientific progress.

The trilogy’s plot defies easy summarization: In 1971 a disaffected scientist makes contact with an alien civilization, which leads to the prospect of a full-scale invasion 400 years in the future. 

(Interstellar travel takes a while.) Scientists and statesmen undertake generation-spanning policy initiatives to prepare, leading to clever plot twists that unfold throughout the course of decades. By the time the reader gets to Death’s End, the love story between a brain in a jar and the beautiful astrophysicist the brain went to college with but never had the nerve to ask out will make total sense and be genuinely moving. Again, it’s complicated.

Chinese fiction hasn’t made significant inroads with U.S. audiences, but that should change. Turkish writer and Nobel laureate Orhan Pamuk once said of China’s rising middle class, “I do not think we 
shall truly understand the people who have been part of this transformation until we have seen their private lives reflected in novels.” He was talking about Chinese versions of Jonathan Franzen, not Isaac Asimov, but we can ease into that. Don’t think that this trilogy doesn’t tackle serious stuff—topics it’s hard to believe the censors let Liu publish, such as brutal infighting during the Cultural Revolution, followed by a Maoist purge in which a physicist is murdered.

Translators are working to bring American readers up to speed. Chinese American novelist Ken Liu (no relation), a popular and award-winning sci-fi author, translated the first and third books in the series, creating engrossing, nuanced prose. Around the time The Three-Body Problem reached the U.S., Neil Clarke, editor of Clarkesworld, an online sci-fi enthusiast magazine in Stirling, N.J., began a Kickstarter campaign that’s raised about $13,000 to pay for the translation of nine other stories by Chinese sci-fi authors, including Han Song, whose acclaim almost matches Cixin Liu’s.

Ken Liu has warned English readers against putting a neat definition on what makes Chinese science fiction different from its U.S. counterpart. There’s a lot of sci-fi in China, he says; asking what defines an American sci-fi story would produce an equally unsatisfying answer. Still, reading someone else’s dark dreams of the future has got to be good for us. For once, we get to be the aliens.

Source: Bloomberg Businessweek by Aaron Rutkoff
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Venice Film Festival aims to deepen ties with China

September 9, 2016, 8:37 am
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Chinese cinema could become one of the "big players" in the Western markets, and the Venice Film Festival wishes to help with this, said director of the prestigious international film event Alberto Barbera on Thursday.

"We would like to increase our relationship with the Chinese film industry and Chinese filmmakers. 

We will keep on looking for good Chinese films, and keep supporting Chinese films with themes that have international interest," Barbera, a renowned Italian film critic who has headed several international film festivals, told Xinhua in an interview.

There has been long-standing relationship between Venice and Chinese cinema, which began in the late 70s and the early 80s when Chinese films first came to Venice for the competition, Barbera said. 

"They got awards, international promotion, and attention from all over the world, and we have kept on having a strong interest on Chinese cinema ever since."

Established in 1932, the Venice Film Festival is the oldest-running film festival in the world, and one of the three major European film festivals.

Its 73rd edition, running form Aug. 31 to Sept. 10, attracted participants from some 43 countries and regions, with 20 films competing for the Golden Lion, the highest prize awarded at the festival.

The festival is also witnessing a growing trend of cooperation between Chinese and European film industries.

"I think there is an interest from both sides," said the director. "Because the Chinese film industry needs to open up to the world, and Western companies need to get a share of the Chinese film market, which has become one of the most important markets of the world."

The bilateral interest could find a common field for investment, research, and experimentation to help new filmmakers get access to production, he explained, calling it a "profitable moment for everyone."

The festival itself is seeking more opportunities for cooperation with China. Barbera said they were currently discussing the possibility of working with Chinese film festivals and giving more support to new Chinese filmmakers who are eager to achieve success overseas.

Despite the strong Chinese presence in investment, production, and distribution at this year's festival, no Chinese-language film was selected for the main competition.

"The problem of Chinese cinema, at this particular moment, is that it is focused on the domestic market mainly. It means that most of the films that are produced now in China have excellent quality in terms of the technical and narrative aspects, but they are oriented to get interest from the domestic audience," the director said.

Nonetheless, he believes that as the Chinese film industry continues to mature, filmmakers will soon realize the importance of diversity.

"You cannot concentrate the entire production on commercial films, comedies, or action movies. It is important to have different kinds of films, because diversity is something that could interest different markets in the world," he said.

Barbera expressed confidence in the fast-changing Chinese film industry. "We are in a global market, and the Chinese film industry is open to the world. More and more Chinese films will become active in Western markets and appeal to Western audiences."

Source: Xinhua
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'Operation Mekong' revisits Mekong River massacre

September 9, 2016, 8:42 am
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A crime-action film directed by Dante Lam will reenact the notorious 2011 Mekong River massacre .

The massacre, which occurred in the Golden Triangle area of the river on Oct. 5 of that year, saw 13 Chinese crew members from two cargo ships brutally killed by a Myanmar drug-trafficking ring. The bodies were dumped in the river, most of which were found blindfolded and handcuffed. Chinese cops then started a manhunt with help of Thai and Lao authorities and brought the mastermind Naw Kham and his accomplices to justice.

To make sure the facts were respected when making "Operation Mekong," Lam and his team prepared for three years, collecting a large amount of relevant materials, interviewing anti-drug cops, having in-depth conversations with local residents and shooting scenes in the Golden Triangle area.

The film stars Zhang Hanyu, Eddie Peng and Jonathan Wu. The director and actors worked very hard in a cruel environment. Lam said he was even bitten by a giant centipede during a shooting.

Yu Dong, the founder of China's leading film studio, the Bona Film Group, said at a press conference in Beijing on Wednesday he had seen the finished film.

"All the fellow filmmakers who saw the film in advance have given thumbs up," Yu said. "It will be an unprecedented success in China's crime film genre."

He promised that "Operation Mekong" is very exciting and believes the film will join the 1-billion-yuan box office earner club after its debut on Sept. 30, the eve of the 7-day National Day holiday season starting on Oct. 1.

Source: china.org by zhang rui
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Zhang Ziyi becomes first Chinese juror for TIFF

September 9, 2016, 8:50 am
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The Toronto International Film Festival (TIFF) will have actress Zhang Ziyi on the jury panel for Platform, a program that champions directors from around the world.

For the program's second year, its three-person international jury will be composed of legendary directors Brian De Palma, Mahamat-Saleh Haroun and acclaimed actor Zhang Ziyi. Together, they will award a prize of CAD $25,000 to the best Platform selection, to be announced at the Festival Awards Ceremony on Sept. 18.

"We are honoured to have De Palma, Haroun and Zhang on the Platform Jury for the program's second year. Each one of them brings a breadth of expertise and experience in visionary filmmaking, artistic direction and unprecedented, bold narratives," said Piers Handling, director and CEO of TIFF.

"Platform's vision is championing aesthetic magnificence, and De Palma, Zhang and Haroun have all either created or been a part of films that have inspired, revolutionized and transformed the filmmaking industry," said Cameron Bailey, artistic director of the festival.

Inspired by Chinese filmmaker Jia Zhangke's film of the same name, Platform shines the spotlight on 
12 films of high artistic merit that demonstrate a strong directorial vision. The lineup was announced on Aug. 11 and includes "Daguerrotype,""Goldstone,""Jackie,""Hema Hema: Sing Me a Song While I Wait" and eight other films.

Zhang is an international superstar who brought strong, multi-dimensional female characters to the screen. She first came to prominence in Ang Lee's Academy Award-winning "Crouching Tiger, Hidden Dragon" (2000) and then mesmerized audiences in the martial arts films "Hero" (2002) and "House of Flying Daggers" (2004), directed by Zhang Yimou. She successfully crossed over into the North American film industry, starring in the film adaptation of "Memoirs of a Geisha" (2005). Zhang has demonstrated a wide range of talent in Wong Kar-Wai's "2046" (2005) and in the director's latest film, "The Grandmaster" (2013).

She will also be participating in the festival's "In Conversation With…" event on Sept. 15 at TIFF Bell Lightbox.

The 41st Toronto International Film Festival runs from Sept. 8 to 18.

Source: china.org by zhang rui
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Highlights of 73rd Venice Film Festival in Venice, Italy

September 9, 2016, 9:14 am
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Cast members arrive for the Premiere of movie "Planetarium" at the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.


Actress Natalie Portman arrives for the Premiere of movie "Planetarium" at the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.

Actress Lily-Rose Depp arrives for the Premiere of movie "Planetarium" at the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.

Actress Julia Vysotskaya arrives for the premiere of "Paradise" during the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.

Actress Maria Roveran arrives for the Premiere of the movie "Questi Giorni" at the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.

Actress Marta Gastini arrives for the Premiere of the movie "Questi Giorni" at the 73rd Venice Film Festival in Venice, Italy.

Actress Laura Adriani arrives for the Premiere of the movie "Questi Giorni" at the 73rd Venice Film Festival in Venice, Italy
Actress Caterina Le Casella arrives for the Premiere of the movie "Questi Giorni" at the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.
Actresses Marta Gastini, Laura Adriani, Maria Roveran and Caterina Le Casella (from L to R) arrive for the Premiere of the movie "Questi Giorni" at the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.

Actresses Marta Gastini, Laura Adriani, Maria Roveran and Caterina Le Casella (from L to R) arrive for the Premiere of the movie "Questi Giorni" at the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.
Actress Lily-Rose Depp arrives for the Premiere of movie "Planetarium" at the 73rd Venice Film Festival in Venice, Italy, Sept. 8, 2016.

Source: Xinhua
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Zhang Ziyi attends Toronto Int'l Film Festival

September 9, 2016, 9:18 am
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Chinese actress and member of the jury Zhang Ziyi attends the world premiere of the opening film "The Magnificent Seven" at Roy Thomson Hall during the 2016 Toronto International Film Festival in Toronto, Canada, Sept. 8, 2016.


Source: Xinhua
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Zhuang ethnic Drama "Feng Zicai" staged in Beijing

September 10, 2016, 9:10 am
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Troupers perform during the Zhuang ethnic Drama "Feng Zicai" in Beijing, Sept. 9, 2016. The drama eulogizes the Chinese hero Feng Zicai leading his force defending against the invading French army during China's Qing Dynasty(1644-1911).


Source: Xinhua
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