Quantcast
Channel: China Entertainment News
Viewing all 18700 articles
Browse latest View live

E-Commerce Sites Drop Dolce & Gabbana Products As Public Outcry Grows

$
0
0
(Caixin) Wrath over a controversial ad campaign from Dolce & Gabbana (D&G) continues to rage on, in another instance that highlights the need for cultural and political sensitivity among those aiming to cash in on the Chinese consumer.

The criticism has snowballed into public relations nightmare — e-commerce platforms have reportedly pulled thousands of D&G products off their shelves, with celebrities vowing to boycott the Italian fashion house and state media warning the brand of “losing China’s market and the benefits arising from it.”

A search by Caixin on Thursday found that many Chinese e-commerce platforms, including Tmall, JD.com, Yanxuan and Vipshop, have delisted D&G products. A JD.com Inc. spokesman confirmed to Caixin that all relevant items had been removed from its platform in the wake of the controversy. 

Cross-border e-commerce platform Yangmatou said in a post Wednesday that a total of 58,000 D&G items have been pulled from its platform.

Such platforms are key to retail sales in China, where online shopping is massively popular. The Double 11 online shopping festival held every October now exceedsthe combined gross merchandize values of Black Friday and Cyber Monday in the U.S.

The saga kicked off over the weekend, when the “DG Loves China” online ad campaign sparkeduproar online upon its release. The campaign — which includes three short videos in which a male narrator lectures an East Asian-looking woman in a sequined D&G dress on how to eat Italian food with chopsticks — has been accused by angry Chinese netizens of being stereotypical, racist and sexist.

In one video, the male narrator asks the woman if a cannoli “is too huge for you?” D&G has since deleted the videos from China’s Twitter-like Weibo microblogging site, though they are still viewable on the company’s Instagram account.

Later, screenshots that circulated of co-founder Stefano Gabbana's private message box on Instagram worsened the drama: the designer described China using poop emojis and said that the videos were posted “by my will.” The brand said its account and that of Gabbana had been hacked.

“It’s not convincing enough to shift the blame to hacking,” said a public relations specialist who requested anonymity. “We just didn’t feel that such an apology was sincere enough.”

The top management should have taken responsibility for what happened, reflected on their corporate values and cultural sensitivity, and proposed crisis management measures to salvage the situation, she said.

‘Self-inflicted humiliation’

State media outlets have joined the chorus of condemnation.

Official Communist Party newspaper the People’s Daily said the designer’s insulting remarks towards Chinese have been met with a national boycott, and have resulted in the cancellation of a fashion show and products being forced out of e-commerce platforms.

“It is inflicting humiliation on itself … Chinese have always welcomed foreign companies, but that doesn’t mean it is without a bottom line — respect is a prerequisite for businesses deals,” the newspaper said on its Weibo account. The post has received more than 80,000 likes and 5,200 comments.

The growing backlash forced D&G to cancel the Shanghai fashion show scheduled for Wednesday, after several celebrities said they wouldn’t attend. “Crouching Tiger, Hidden Dragon” star Zhang Ziyi said she would boycott the brand.

According t0 consultancy McKinsey & Co., Chinese spent 500 billion yuan ($72 billion) on luxury products last year, accounting for a third of the world’s spending.

Multinationals often stumble over cultural barriers because their Chinese offices usually take orders from their global headquarters, which can lead to mishaps in their marketing campaigns, wrote Li Guowei, who worked as China communication chief at General Electric Co. for 15 years, in a commentary (link in Chinese) published by Caixin Thursday.

D&G is not the first to spark anger, some of it with nationalist undertones, due to a lack of cultural and political awareness.

In January, U.S. hotel giant Marriott International Inc. sparked angerover its description of Hong Kong, Macau, Taiwan, and Tibet as “countries” in a customer survey. Marriott generated even more controversy after it was discovered that its Twitter account “liked” a post by “Friends of Tibet,” a group which advocates for the region’s independence from China. The company has since apologized and fired the employee responsible for the post.

This was followed by another similar case involving Daimler one month later. The German carmaker apologized for "hurting the feelings" of the people of China for quoting the Dalai Lama on Instagram. The Dalai Lama is considered a separatist by the Chinese government.

Source: Caixin By Noelle Mateer, Coco Feng, Jason Tan and Mo Yelin

Zhang Yimou’s ‘Shadow’ Hit With Music Copyright Lawsuit

$
0
0

(Variety) A lawsuit has cast a shadow over director Zhang Yimou’s stylish martial-arts epic “Shadow,” which won four prestigious Golden Horse Awards in Taipei last weekend, the most of any title.

The movie’s soundtrack earned a nomination for best original score for composer Loudboy (it did not win). But another composer has now accused “Shadow” producer Le Chuang Entertainment of stealing her work, alleging that it had been plagiarized in the film and used without credit in trailers.

Dong Yingda, a professor of film music at China’s Central Conservatory, wrote in a long statement on Weibo, China’s Twitter, that Zhang had commissioned her to develop the movie’s soundtrack in February of last year. She assembled a team of music history experts and top performers of classical Chinese instruments, such as the zither and pipa (a four-stringed lute), to create a score befitting the third-century Three Kingdoms period, during which the film is set. 

After eight months of effort, the team was told its work wouldn’t be used in the final version of the movie and so would not be credited. But Dong said she and other team members were surprised to find upon its release that the final soundtrack sounded very familiar and that parts of their original score appeared in promotional videos.

“We were shocked to find that, throughout the entire film, the melodies, harmonies, musical style, use of instruments and so on were very similar to or even the same as those in our version! They just plugged in different musicians to play our music, and can pretentiously call it original? This is really an enormous joke!” Dong said, who is now seeking credit and compensation.

She posted a photo of an official document stating that a Beijing court last Friday accepted her suit against Le Chuang.

For its part, Le Chuang said Sunday that it had parted ways with Dong and her team over creative differences. It had already expressed “thanks and respect” for her help and credited her team for what it called “early phase composition” work. The company said it would cooperate with any investigation.

Dong angrily called Le Chuang’s explanation a made-up “excuse.” She added: “The choice to collectively speak up comes from the fact that the industry doesn’t value original music and has no awareness of intellectual property protection. We hope that [our] efforts will provide basic intellectual property protection for more musicians, including ourselves.”

Musicians from her team chimed in, commenting: “I refuse to be a shadow of ‘Shadow’!” – a reference to how one of the main characters in the movie secretly assumes the identity of another, acting as an uncredited stand-in. 

Dong said she was fed up with frequently losing credit for her work.

“The first time it happened, I wanted to treat it like a ‘normal’ thing, the way my colleagues did. I didn’t dare offend the producer, and was afraid that I’d be blacklisted and unable to stay in the industry,” she wrote. “But when such a disappointing thing keeps occurring, we need to create a model that helps more people understand how we might solve the problem.”

Source: Variety By Becky Davis

Actor Wang Kai on the cover of L'Officiel fashion magazine

$
0
0

Actor Wang Kai


Source: China Daily

Actress Carina Lau covers fashion magazine

Pop idol Nana Ouyang on the cover of Grazia fashion magazine

$
0
0

Actress Nana Ouyang


Source: China Daily

Dolce & Gabbana founders seek 'forgiveness' in China with video apology

$
0
0
(Reuters) - Dolce & Gabbana’s co-founders asked for China’s “forgiveness” on Friday, trying to salvage a crucial market for the luxury brand after a backlash against its latest advertising campaign.

The Italian fashion house canceled a marquee show in Shanghai on Wednesday after celebrities and social media users threatened a boycott over the campaign, which led e-commerce firms to pull Dolce & Gabbana items on Thursday.

The furor is a setback for one of Italy’s best-known fashion brands in China, where rivals from Louis Vuitton of LVMH to Kering’s Gucci are vying to expand.

Chinese buyers account for more than a third of spending on luxury goods worldwide, and are increasingly shopping at home rather than on overseas trips.

Users slammed the video campaign in which a Chinese woman struggles to eat pizza and pasta with chopsticks while the narrator offers eating lessons in a patronizing tone.

The blunder was compounded when screenshots were circulated online of a private Instagram conversation, in which designer Stefano Gabbana makes a reference to “China Ignorant Dirty Smelling Mafia” and uses the smiling poo emoji to describe the country. The company said Gabbana’s account had been hacked.

In a video apology on Friday, Gabbana and co-founder Domenico Dolce said they had “reflected seriously” and were saddened by the impact of their words.

“In the face of our cultural misunderstanding, we hope that we can earn your forgiveness,” Dolce, speaking in Italian, said in the video of the two designers seated side-by-side.

The 85-second video with Chinese subtitles was posted on China’s Twitter-like platform, Weibo.

Gabbana also asked for forgiveness and offered a formal apology to Chinese people around the world. The designers ended the video by saying sorry in Mandarin.

“We will never forget this experience and lesson, and this sort of thing will never happen again,” Gabbana said.

It’s not the first gaffe by Dolce & Gabbana in China, where the brand came under fire on social media last year for a series of advertisements showing the grungy side of Chinese life.

Other upsets have come and gone in China without appearing to cause lasting damage, including at brands like Kering’s Balenciaga, which apologized in April amid a backlash over how some Chinese customers had been treated in Paris.

However, the crisis for Dolce & Gabbana showed no sign of easing on Friday. Retailer Lane Crawford said it would pull the brand from its stores and online sites in mainland China and Hong Kong after customers had returned Dolce & Gabbana items.

Most of the comments posted under the apology video on Weibo were also critical.

“We don’t have to accept your apology. Go and make money in other countries, there’s none for you here in China,” one user wrote.

Source: Reuters; Reporting by Adam Jourdan in SHANGHAI and Donny Kwok in HONG KONG; additional reporting by Shanghai newsroom; editing by Darren Schuettler

‘Fantastic Beasts: The Crimes of Grindelwald’ Unlikely to Beat First Film in China

$
0
0
(Variety) As it heads into its second weekend, “Fantastic Beasts: The Crimes of Grindelwald” looks set to fall well short of the box-office performance of the franchise’s first installment in China, despite a number of tailor-made attempts to woo Chinese audiences.

As of mid-afternoon Friday, six days after its release, “Grindelwald” had brought in about $46.3 million in the world’s second-biggest movie market. It was beaten at the box office Wednesday and Thursday by “Venom” and comedic Chinese crime thriller “A Cool Fish,” then dropped even further, to fifth place, by 3 p.m. Friday, muscled aside by new releases “Ralph Breaks the Internet” and “Johnny English Strikes Again,” starring Rowan Atkinson, who has a huge following in China.

2016’s “Fantastic Beasts and Where to Find Them” took in $86 million in China – nearly double the sequel’s current take – at a time when the country had significantly fewer screens than it has now. On Wednesday and Thursday, “Grindelwald” had about 70,000 screenings per day.

J.K. Rowling’s Wizarding World remains extremely popular in the Middle Kingdom, where more people are likely to recognize Harry Potter than Prince Harry as an emissary of British culture. On Douban, a key Chinese user-review site, some 127,000 reviewers gave “Grindelwald“ a respectable aggregate 7.2 rating, but many complained that the story was too convoluted, a common criticism by Western reviewers as well.

“An installment that’s totally a setup for the next; it was way too dull, and the emotional scenes awkward and wooden,” said one of the most popular Douban reviews, which gave it just two stars. 

“The spectacle of the beasts was not as rich or interesting as it was in the first.”

Another three-star review cautioned: “The threshold for getting into it is very high – non-fans will be totally lost, and the plot is too messy. But the special effects were very good and the sets are very cool.”

The film hasn’t quite hit home with audiences despite the introduction of a Chinese “fantastic beast”: the zouwu, based on an obscure creature mentioned in the “Classic of Mountains and Seas,” an ancient Chinese text full of myths and mythical geography thought to date back to the 4th century B.C.

“This is how it is described in Chinese mythology: gigantic, elephant-sized cat, five-colored. It really does take a Newt Scamander to contain and look after that beast,” Rowling said in a promotional video for “Grindelwald.” She added: “There’s a Chinese bestiary that is utterly fascinating.”

The original classical text mentions the zouwu only briefly, stating: “In Lin Country, there are rare beasts. Big as a tiger, with a multi-colored body and a tail longer than its body, it is called the Zouwu, and riding it you can go a thousand li” – an ancient unit of measurement of about a third of a mile.

Chinese fans were charmed by Hollywood’s version of the fantastical cat, with some even saying they found it so cute that they dug out dusty copies of the classical text to find the reference. Many noted the irony of Hollywood picking up on a cultural element that even most Chinese people themselves didn’t know about, with one user on Weibo, China’s Twitter, writing: “Our ancestors left us many good things that we’ve never made full use of – a shame!” 

“Grindelwald’s” marketing campaign also reached out to Chinese audiences with a gorgeous China-specific poster: a Chinese ink-brush painting of the zouwu and other creatures perched in a tree, done with the “gongbi” technique known for its highly precise strokes and realism. It was displayed at the film’s Beijing premiere, stretched out over a seven-paneled screen. The artist, Zhang Chun, had also created ink-brush portraits of six creatures for the first film, which went viral in China.

Some on Western fansites have chattered about the possibility that the zouwu could take the “Beasts” franchise to China. In the first film, a creature with the French name demiguise played a prominent role, and the next film was set in Paris.

Source: Variety By Becky Davis

Supermodel Grace Elizabeth on the cover of Vogue China magazine

$
0
0

Supermodel Grace Elizabeth


Source: China Daily

Yi Yangqianxi poses for photo shoot

$
0
0

Singer Yi Yangqianxi


Source: Xinhua

Actress Song Zuer covers fashion magazine

Chen Kun learns a lot from being UNICEF Ambassador for China

$
0
0

(China Plus) Well-known Chinese singer-actor Chen Kun is calling for efforts to build a more child-friendly society, in celebration of World Children's Day.

On Tuesday evening, Chen joined UNICEF and many children in lighting-up the Beijing National Aquatics Center, or Water Cube.

He said his position as one of the three UNICEF Ambassadors for China gives him a learning and development opportunity. "I have been working as the UNICEF Ambassador for China for six years.

In recent years, UNICEF has promoted many children's welfare programs."

Chen also said since he's an actor, he would rigidly select his roles in films or TV dramas, hoping his work may not only show his personal beliefs but also instill good values in children.

On November 20 each year, UNICEF holds events like the lighting up of iconic city monuments and buildings in several Chinese cities to commemorate the anniversary of the UN Convention on the Rights of the Child.

To date, World Children's Day has been widely celebrated in over 190 countries.

Source: China Plus by Xu Fei

Hello Mr. Billionaire review: crazy rich Chinese get satirical treatment

$
0
0

(SCMP) This rambunctious satirical comedy from China takes aim at the conspicuous consumption of the country’s nouveau riche by trying to make their lifestyles look vulgar. The film is very well made, and funny enough, but it does send a mixed message about wealth.

For although Hello Mr. Billionaire’s intention is to make the rich look unworthy, all the newly rich characters seem to be having a fabulous time. Any attempt, therefore, to promote values of civility and humility over those of greed and avarice falls a bit flat.

The film is based on George Barr McCutcheon’s book Brewster’s Millions, which was previously adapted into a well-known, but not particularly good, 1985 film starring John Candy and Richard Pryor.

Shen Teng reunites with Goodbye Mr Loser directors Peng Damo and Yan Fei to play Duo-yu, a shoddy goalkeeper in a hopeless football team. Out of the blue, Duo-yu’s rich uncle offers to make him heir to his vast fortune – but only if he can spend one billion yuan (US$144 million) in a month.

The restrictions his uncle places on him – he can’t give any of the money away, for instance – make this very difficult to do, and Duo-yu has to resort to some crazy schemes to divest himself of the cash.

The film was a smash hit in China earlier this year, but not all viewers thought it funny. Many found its scenes of untrammelled wealth and luxury objectionable rather than satirical, serving more as a reminder of China’s expanding wealth gap than a criticism of it.

But the cast and crew do keep tight control of the energetic humour, and stop it from devolving into banality.

Hello Mr. Billionaireopened on November 22



Source: South China Morning Post by Richard James Havis

Actor Huang Xuan poses for photo shoot

Actress Dong Jie covers fashion magazine

Ni Ni covers fashion magazine


The ‘Drifters’ Dreaming of Stardom

$
0
0

(Caixin) ‘Hengdian drifters’ are not known for their performances. They are aspiring actors from all over China who have come to the world’s largest film and television shooting base, Hengdian World Studios, mostly working as extras or as crew. While they are mostly uncredited, rarely have lines and are paid little for spending long hours on set, many of them dream of stardom.

Hengdian World Studios is located in East China’s Zhejiang province. It is home to 13 shooting bases, a replica of the Forbidden City and an Imperial Palace in the style of the Qin and Han dynasties. It also has a theme park with attractions such as “Guangzhou Street” and “Hong Kong Street” and a Buddhist temple.

But it is also the home to thousands of extras, the so-called drifters, filling the background in scenes of films of all budgets. This Caixin special report features a handful of the so-called drifters who dream of hitting the big time. Each morning, many of them wake up with the sun to check the notice boards for work opportunities — as extras, as set workers, as assistants. Some of them graduate to become credited extras and earn a higher daily rate.

The rest must make the most of every opportunity they get to be on set, either as an extra or working behind-the-scenes. To make a good impression and more connections, they try to be seen working hard and are polite to everyone. Some choose to make an impression by dressing well.

Many are martial artists, filling the background of massive fight scenes in martial arts films, a popular genre in China. They have been seen in the background of fight scenes in big-budget martial arts films like 2001’s “Hero,” 2011’s “Flying Swords of Dragon Gate,” and “Once Upon a Time in Shanghai.”

The drifters often work grueling shifts. One martial arts extra, Zhou Peng, told stories of acting out a battle scene for 24 hours. During the shooting of one film, he and three others had to jump off a tall platform. Two of them suffered bone fractures and one was too afraid to jump. Zhou Peng was the only one to successfully finish filming the scene.

As “web films,” feature-length movies only posted on streaming websites like iQiyi, YouKu and Tencent Video, gather steam, many of the drifters have begun to write and fund their own films. In 2018, screenwriter Wang Hailin and other film and television professionals reflected that due to the fallout of theFan Bingbing tax scandal, some large investment projects were affected this year, and more funds flowed to the Internet and online dramas with lower risks and costs.

At the Hengdian Louyuan Hotel Number 1, Fan Qi from northeastern China has photos taken for the web film in which she stars. Not long after she graduated from Sichuan Communications College, she went to Hengdian with a few friends. In recent years, more and more online games and web dramas have been launched in Hengdian, attracting many recent graduates to join the drifters. Here, they are more likely to land important roles.

Zhou Peng plays a detective in the series he is currently filming. One scene where he rides a horse had to be shot five or six times as it had to be filmed on the ground and in the air. Once, he lost control of the horse and fell off. Because he has so much experience with martial arts, such minor injuries are common for him.

Li Xiangxin accompanies his friend to shoot model cards. His friend is wearing a costume of a female military officer.

Li Xiangxin strolls in the rain at Hengdian’s riverside park, singing the song “Singin’ in the Rain.” From the time he could first read, he fell in love with films and novels, and for a long time dreamed of being in a film like “Casablanca.” After he graduated from college, he changed jobs monthly, from salesman to delivering packages to delivering food, and says he has tried every job once. While working on an assembly line in a Foxconn factory, he often contemplated the meaning of life, and finally quit to come to Hengdian.

No matter how tired she is after work, A Lan goes to Wansheng Street to sing and dance whenever she can. After being photographed by other people, A Lan got angry. Some people yelled that she was crazy, but she didn’t care. “I just want them to see me, I live in the moment.

Most of the extras only receive 50 yuan ($7.20) to 100 yuan for a day of work, and once they are selected to become contributing actors they receive 150 yuan to 300 yuan. A Lan has always been an extra, and as she gets older she is rarely asked to audition for a contributing actor role. When she is rejected for a role or isn’t filming anything, she finds other work, such as handing out flyers, to earn money.

Zhu Xiaobing, an Anhui province native who has practiced martial arts from an early age, practices “flying skills” in a small apartment. He read in a book that if he reached a certain speed and height, he could jump up and break through the ceiling of the apartment. He came to Hengdian in 2016 after studying in Beijing, and now works in a nearby mahogany furniture factory while filming.

On Oct. 20, the Hengdian Film and Television Festival holds a parade. An actor holding an axe helps an elderly actor cross the street.

On Oct. 21, tourists play on the beacon terraces of the Emperor Qin Palace replica at Hengdian. This was used in Chen Kaige’s 1997 film “The Emperor and the Assassin.”

Xiao Cong, 17, came to Hengdian to pursue her dream of becoming a musician after leaving home because of discord with her family. Over one month in Hengdian, she was an extra three times. She usually stayed at a friend’s house but occasionally feels embarrassed and sleeps alone in an Internet cafe.

Jiao Changdao wrote a script and designed a large variety show to select actors. He took the plans for the show with him to four different places to find people to work with him. He said it was his lifelong dream, and if he finished it, he would leave Hengdian, buy some land and become a farmer.

Source: Caixin By Liang Yingfei 

Liu Yifei releases new photos

$
0
0

Actress Liu Yifei


Source: Liu Yifei

Angelababy, Deng Lun and Zhu Yilong pose for photo shoot

$
0
0

Angelababy, Deng Lun and Zhu Yilong


Source: Xinhua

Actress Zhang Tianai covers fashion magazine

$
0
0

Actress Zhang Tianai


Source: Xinhua

Actress Wang Ziwen covers fashion magazine

$
0
0

Actress Wang Ziwen


Source: Xinhua
Viewing all 18700 articles
Browse latest View live