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‘Pirates,’ ‘Life’ Get China Official Release Dates

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(CFI) Disney’s Pirates of the Caribbean: Dead Men Tell No Tales will sail into the Middle Kingdom on Tuesday, May 30, four days after it opens in North America — not a day-and-date release, as reported elsewhere.

While day-and-date releases are normally prized, in this instance, the slight delay from Pirate’s North America release places it at a more opportune time — even if that is on a Tuesday.

On the Chinese calendar, a day-and-date release would have had the film coming out on the Friday before Dragon Boat Festival. A May 30 date puts the film on the final day of the festival, which is a public holiday across China, maximizing its potential audience.

Last year, a similar slot enabled fantasy video game adaptation Warcraft to open six times bigger in China than it did in the United States. Pirates looks set to have a wide release with screenings in 2D, 3D, IMAX, and China Film Giant Screen.

Directed by Joachim Rønning and Espen Sandberg, the film marks the third time the franchise has received a China release, out of five films.

A decade ago, Pirates Of The Caribbean: At World’s End was the first of the series to show in China and ended up earning RMB 125 million (US$18.1 million). In 2011, Pirates Of The Caribbean: On Stranger Tides pulled in RMB 476 million ($69 million).

Further priming local audiences, all of the previous installments in the franchise screened in the out of competition section at this year’s Beijing International Film Festival last week.

Meanwhile, Columbia Pictures-Sony’s Life has scored a Friday, May 19 — a week before Pirates arrives. The Chinese release comes eight weeks after the film came out in North America on March 24. It will feature on 2D and China Film Giant Screens.

Directed by Daniel Espinosa and starring Ryan Reynolds and Jake Gyllenhaal, the science fiction horror film has already pulled in $73.3 million at the box office globally.

Source: CFI BY Fergus Ryan

Beijing Film Festival closes, bestowing "Luka" Best Film

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(China Plus) The 7th Beijing International Film Festival closed on Sunday, with winners of 10 Tiantan Awards released.

Chinese film "Mr. No Problem," an adaptation based on a 1943 novel by Lao She, won the Best Screen Play and the Best Actor.

The film is the maiden work of director Mei Feng, who also served as the playwright.

Mei said he learned a lot when creating the script.

"Mr. Lao She was a master in modern history of Chinese literature. I was under pressure to adapt the work of such a master: How to be loyal to the original story while be creative. Lao She has very unique angles and insightful opinions in literature writing on the society and human nature. We've got a lot."

Georgian film "Luka" grabbed the highest honor of the Best Feature Film at the closing ceremony.

Directed by George Barabadze, the movie depicts how Luka's mother and grandmother looked for his body after the man was killed on the battlefield. The film reflects on a war's damage on people's lives.

Another Georgian film "House of Others" won the Best Cinematography and the Best Director awards.

The Best Actress went to Iranian performer Golab Adineh, who led the cast in film "The Sis."

The awards winners stood out from 15 films. The jurly was led by Danish film legend Bille August, and joined by Chinese actress Jiang Wenli, Hong Kong director Mabel Cheung, and producer Paolo del Brocco.

The Beijing Film Festival is only seven years old. But Chris Dodd, chief of the Motion Picture Association of America, says the festival is a symbol of the development of the movie industry in China.

"Today's festival is a reflection of China's place as a global leader in creativity and innovation. The annual tickets sales in 2009 were 6 billion RMB. Equally impressive, in 2016, the Chinese population went to the movies 1.4 billion times. That's more than United State and Canada combined."

The organizer of the festival says they define the event as a seeker of new film makers.

Source: China Plus by Xu Yaqi

Wang Ou at event

Liu Tao poses for photo shoot

Australia Announces 14-Film, $302 Million Co-Production Slate with China

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(CFI) A Li Bingbing action film is at the head of a 14-film slate worth AU$400 million (US$302 million) announced last week in Beijing, a significant expansion of production under Australia’s 2006 co-production treaty with China.

Guardians of the Tomb, (aka Nest) stars Li Bingbing and Kelsey Grammer and is currently in post-production for 2017 release. Also on the slate is the Jackie Chan film Bleeding Steel, co-starring Australian actor Callan Mulvey (Underbelly), now in post-production and set for release later this year.

Recently added to the slate was At Last, described by Screen Australia as “the story of a couple from Beijing who find themselves caught in a complex art heist while on holiday in Australia.” Casting is currently underway in Queensland.

The new titles are part of a move to expand the use of the treaty and take advantage of China’s stature as the world’s second-largest cinema market. Under the agreement’s terms, qualified films may be imported to China and exhibited on a revenue-sharing basis without counting against the country’s annual 34-film quota for such movies.

In the first 10 years of the agreement, only five films were produced, including 2008’s Children of the Silk Road, 2010’s The Dragon Pearl, starring Sam Neill, and 2011’s 33 Postcards with Guy Pearce.

“We have seen increased interest in Australian-Chinese co-productions with At Last being the fourth feature announced since late 2015. This upswing in activity is the result of seven years of engagement with the Chinese screen industry and the sustained support of the State Administration of Press, Publication, Radio, Film and Television in China,” said Richard Harris, Head of Business and Audience of Screen Australia, in a statement.

Source: China Film Insider by Steven Schwankert

Netflix Signs Licensing Deal With China's iQiyi

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(THR) The streaming giant has been attempting to negotiate greater accesss to the huge Chinese market for several years.

Blocked by regulators from setting up shop within China's massive entertainment market, Netflix has instead signed a licensing deal with one of its most powerful local counterparts in the country.

The global streaming giant said Tuesday that it has reached a content agreement with Beijing-based video service iQiyi. The deal was revealed Tuesday during the kickoff to APOS, an industry conference held annually in Bali, Indonesia.

"China is an important market for obvious reasons; it's also a challenging market for obvious reasons," said Robert Roy, Netflix's vice president of content acquisition. "Right now what we will do is look to license content into China. We closed a deal with iQiyi, which is exciting."

"For us, it does a couple of things," Roy added. "It gets our content distribution into the territory and builds awareness of the Netflix brand and Netflix content."

Netflix declined to share additional details of the deal, including which Netflix originals will be hitting the China market and when. But it's understood that the service soon will make some Netflix originals available via iQiyi day-and-date with the rest of the world.

When asked by THR if full entry into the China market was something the company was still pursuing, Roy added: "We'd love to have direct relationship in China, and it's just a matter of when and how, and that's something that we're trying to figure out over time."

iQiyi, a subsidiary of Chinese search giant Baidu, began as an advertising-supported video platform, but it is in the process of transitioning to a subscription model similar to Netflix. Video streaming is among the most fiercely contested areas of the Chinese entertainment landscape. iQiyi is believed to have the strongest subscriber base and content portfolio in the market, but its deep-pocketed rivals include Tencent Video and Youku Tudou, owned by e-commerce giant Alibaba.

Strict protectionism by Beijing regulators has prevented Netflix and Amazon from entering the huge Chinese content arena; the territory is among the handful of countries where the two U.S. streaming powerhouses are not yet active. On an earnings call late last year, Netflix CEO Reed Hastings conceded that a full China launch was unlikely in the near term, and that the company would focus on licensing for now.

Netflix achieved some early licensing success in China with House of Cards, which became a viral phenomenon through a deal with local service Sohu. The show was even known to Chinese president Xi Jinping, who once joked about it during a press event. It was later pulled from local streaming services by regulators.

Source: The Hollywood Reporter by Patrick Brzeski

Posters from Fan Bing Bing’s historical drama Win The World

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Fan Bing Bing‘s historical drama, Win The World is based on the story of a Qin Dynasty widow who was named the most successful and richest entrepreneur of the time, Widow Qing. After her husband’s death, she remained unmarried but the drama will draw out her complicated relationship with Qin Shi Huang.


Source: avirtualvoyage/Xinhua

Yao Chen at event


Chang Sisi poses for photo shoot

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Actress Chang Sisi


Source: Xinhua

Angelababy enjoying spring

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Actress Angelababy


Source: Xinhua

Alibaba's Youku to Produce Chinese Version of 'Saturday Night Live'

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(THR) "Live from Beijing, it's Saturday night!"

NBCUniversal on Wednesday unveiled a partnership with Chinese streaming video platform Youku, a unit of Alibaba Digital Media & Entertainment Group, which will produce a local version in China of NBC's iconic sketch comedy show Saturday Night Live.

Youku, one of China's leading streaming video services along with Tencent Video and Baidu's iQiyi service, is planning to make SNL its flagship entertainment show for the 2017 fall/winter schedule.

Over the past few years, NBCUniversal has licensed nine other international versions of SNL, in territories ranging from France to the Middle East.

"We're excited to partner with Youku in China, where we are confident SNL will be a big hit with audiences," said Michael Edelstein, president of NBCUniversal International Studios.

Now in its 43rd season, Lorne Michaels' original New York version of Saturday Night Live is enjoying a banner year, with each episode attracting an average of 11 million viewers and U.S. viewership up 29 percent over last year — so far, it's been the show’s best season since 1993-1994.

Much of the ratings comeback probably can be attributed to the presidency of Donald Trump and Alec Baldwin's lampooning of the commander-in-chief, as well as Melissa McCarthy's recurring impersonations of White House press secretary Sean Spicer.

But given China's strong censorship system, it is unlikely that the Youku version of the show will feature a Chinese comedian taking similar shots at Chinese president Xi Jinping anytime soon. Youku and NBCUniversal say the Beijing-based remake will "showcase the best of Chinese culture and comedy."

Source: The Hollywood Reporter by Patrick Brzeski

‘Pirates of the Caribbean: Dead Men Tell No Tales’ to Hold World Premiere in Shanghai

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(Variety) Disney’s “Pirates of the Caribbean: Dead Men Tell No Tales” will hold its world premiere at the Shanghai Disney Resort in China on May 11.

Johnny Depp, Orlando Bloom, Geoffrey Rush, Javier Bardem, Brenton Thwaites, directors Joachim Rønning and Espen Sandberg, and producer Jerry Bruckheimer plan to attend. Disney noted the event will mark the first time a Hollywood movie has premiered in Mainland China.

The red carpet will take place in Disneytown at Shanghai Disney Resort, with the screening in Walt Disney Grand Theatre at Disneytown. Shanghai Disneyland includes the pirate-themed Treasure Cove, inspired by the Pirates of the Caribbean franchise.

Having cleared Chinese censorship, “Pirates of the Caribbean: Dead Men Tell No Tales” will be released wide on May 26 in the country, day-and-date with its release in the U.S.

Disney showed the film on March 29 to exhibitors at CinemaCon in Las Vegas, where it was met with a favorable response. Depp returns as the wisecracking Captain Jack Sparrow, with Rush as Barbossa and Bardem as Captain Salazar. Thwaites and Kaya Scodelario play the new characters, while Bloom returns as Will Turner.

Several exhibitors said they were particularly impressed by the depiction of the undead pirate hunters led by Bardem and Depp’s offbeat portrayal, noting that he again was channeling Keith Richards of the Rolling Stones.

The film is the fifth in the franchise and the first since 2011’s “On Stranger Tides.” See the Chinese poster for “Dead Men Tell No Tales” below.

Source: Variety by Dave McNary

Stars present suspense film Battle of Memories

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(Toggle) At the presentation of suspense movie Battle of Memories, director Leste Chen showed up with his major cast members Xu Jinglei, Duan Yihong, Yang Zishan, Tiffany Hsu and Wang Zhen, to share their thoughts on "memories". They also played a game to save the memories they wanted most to keep.

Although he was absent, Huang Bo appeared in a video to "meet everybody in 2025". However, Jinglei complained, "I offered him a yacht there but he gave me less than a dollar for my birthday."

In the film, Tiffany plays a victim of domestic violence, and her heart still hurts even now when she recalls some scenes. Huang Bo plays a murder suspect who is being chased by a detective, played by Duan Yihong, in the year 2025.

Source: Toggle

Fan Bingbing joins Cannes film festival jury

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Chinese actress and producer Fan Bingbing will sit on the Cannes jury when the festival kicks off next month, organizers said.
Organizers announced on Tuesday that the eight jury members will serve under Spanish director Pedro Almodovar, who will serve as jury president at the 70th Cannes Film Festival.
Fan, born in 1981, rose to fame in 1998 with the mega-hit TV series "My Fair Princess." Since then, she has starred in many films, most notably "Lost in Beijing" (2007), "Buddha Mountain" (2011), and "Double Xposure" (2012). In 2016, she starred in "I Am not Madame Bovary" and received the San Sebastian Film Festival Best Actress Award as well as the 11th Asian Film Best Actress Award. Fan is also selected for the 2017 TIME 100.
"I'm grateful for the recognition from Cannes in choosing me to be a juror," Fan said in a statement after her jury status was made public, "The film festival is the greatest sacred palace of film art, and I'm honored to be one of the jurors of its 70th edition. I do have pressure on me, but this is also a precious opportunity to learn, and to see the best films of the world for a year. I will seriously fulfill my job as a juror."
One of Fan's films has previously been entered into the Cannes' competition: 2010's "Chongqing Blues."
Other filmmakers who join the jury panel are: two-time Oscar nominee Will Smith from the United States; veteran Cannes regulars Park Chan-wook from South Korea; Paolo Sorrentino from Italy; German director Maren Ade; French filmmaker Agnès Jaoui; French composer Gabriel Yared; and the American actress Jessica Chastain.
The Cannes film festival runs from May 17 - 28. Four women and four men will thus help Pedro Almodóvar select from among the films in Competition. The winners will be announced on May 28 at the closing ceremony, following which the Palme d'or will be awarded in the presence of the winning team.
Source: china.org by zhang rui

Vietnam Int'l Fashion Week kicks off in Ho Chi Minh City

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A model presents a creation of Vietnamese designer Chung Thanh Phong on the first day of the Vietnam International Fashion Week 2017 in Ho Chi Minh City, Vietnam, on April 25, 2017. Vietnam International Fashion Week 2017 is opened here from April 25 to April 28, presenting the latest spring-summer creations from designers.


A model presents a creation of Vietnamese designer Betty Tran on the first day of the Vietnam International Fashion Week 2017 in Ho Chi Minh City, Vietnam, on April 25, 2017. Vietnam International Fashion Week 2017 is opened here from April 25 to April 28, presenting the latest spring-summer creations from designers.

A model presents a creation of Vietnamese designer Betty Tran on the first day of the Vietnam International Fashion Week 2017 in Ho Chi Minh City, Vietnam, on April 25, 2017. Vietnam International Fashion Week 2017 is opened here from April 25 to April 28, presenting the latest spring-summer creations from designers.

A model presents a creation of Vietnamese designer Xuan Thu on the first day of the Vietnam International Fashion Week 2017 in Ho Chi Minh City, Vietnam, on April 25, 2017. Vietnam International Fashion Week 2017 is opened here from April 25 to April 28, presenting the latest spring-summer creations from designers.

Models present creations of Vietnamese designer Xuan Thu on the first day of the Vietnam International Fashion Week 2017 in Ho Chi Minh City, Vietnam, on April 25, 2017. Vietnam International Fashion Week 2017 is opened here from April 25 to April 28, presenting the latest spring-summer creations from designers.

Source: china.org 

Actress Han Xue releases fashion photos

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Actress Han Xue


Source: China Daily

Yang Zi covers fashion magazine

Five-country coproduction to open BRICS film festival

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(China Daily) Chinese filmmaker Jia Zhangke has teamed up with four established directors from Brazil, Russia, India and South Africa to make a movie.
Where Has the Time Gone is a feature-length coproduction that will be the opening film at the upcoming 2nd BRICS Film Festival, to be held in Chengdu, capital of Sichuan province, from June 23 to 27.
The movie consists of five short stories, 18 minutes each, done by the five directors.
Each film, done in the local language, portrays the country's unique culture, says Jia.
Besides Jia, the other directors are Walter Salles from Brazil; Aleksey Fedorchenko from Russia; Madhur Bhandarkar from India and Jahmil X.T.Quebka from South Africa.
The directors are all masters in their own right.
For instance, Salles' Central Station was nominated for the Oscars in the best foreign language category in 1999, and Quebka is seen as one of the best directors in South Africa thanks to A Small Town Called Descent (2010) and Of Good Report (2013).
Jia is internationally known for his socially conscious films, such as Still Life, a Golden Lion winner in Venice in 2006; and Mountains May Depart, nominated in Cannes in 2015.
Most of Jia's early movies are based in his province of Shanxi, which is also the case with his short piece in Where Has the Time Gone.
Called Revive, the tale, starring Zhao Tao, his favorite actress, is about a couple's decision to have a second child.
"It (the film) is a blend of social reflection and comedy, and my personal views about time," says Jia.
Jia, 47, who is also the chief producer of the project, says that language barriers and the pace of work were biggest challenges for the five-nation coproduction.
But art travels across borders.
"Where Has the Time Gone is a universal theme. It struck a chord with all the directors, They each use a unique narration style to explore the topic," he says.
The movie, backed by Chinese studios, will open across the Chinese mainland in September.
Ma Li, director-general of the International Cooperation Department of the State Administration of Press, Publication, Radio, Film and Television, says the festival is expected to prompt more coproductions with BRICS countries.
He Lyvzhang, vice-secretary of the Sichuan provincial government, says the festival, which will be held in China for the first time, is a cinematic event which aims to be a cultural bridge among BRICS nations.
Up to 30 movies from the five countries will form part in the festival.
Chinese director Xie Fei, who won a Golden Bear at Berlin in 1993 for The Women from the Lake of Scented Souls, will head the jury at the event.
Source: China Daily

Film review: Love Off the Cuff – Shawn Yue, Miriam Yeung return in romantic comedy series’ third instalment

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(SCMP) When writer-director Pang Ho-cheung poured the vibrant flavour of contemporary Hong Kong life into his 2010 rom-com Love in a Puff– which recounted a seven-day affair between cosmetics salesgirl Cherie (Miriam Yeung Chin-wah) and advertising executive Jimmy (Shawn Yue Man-lok) – it was meant more as a spontaneous reaction to the city’s indoor smoking ban in January 2007 than a platform for an epic study about romantic destiny.

Although it’s a tall order to replicate the everyday realism and inspired use of Cantonese banter of that modern masterpiece, Pang came up with another crowd-pleaser when he broke his own rule of never making sequels and came up with the Beijing-set Love in the Buff (2012), a hilarious romantic merry-go-round that follows Cherie and Jimmy’s on-again, off-again relationship amid her constant gripes and his childlike aversion to commitment.

The longer Pang waited to make his follow-up, however, the more complicated it had become for him to find a reason to revisit the story of this quintessentially Hong Kong couple. And so, when events in Love Off the Cuff pick up five years later, we suddenly find ourselves in the midst of a seven-year relationship between Cherie, now 40, and Jimmy, 36. The two may be sharing a cosy cohabited flat but they’re far from completely happy with one another.

The lack of cogent narrative drive is obvious from the way the film drifts from one peripheral situation to another, as when Cherie finds out that her irresponsible and estranged father (Paul Chun Pui) is marrying a much younger woman, or when Jimmy unceremoniously lets his “godmother” (Jiang Mengjie) – in reality a sexy young woman from his adolescent years in Canada – move in to further upset their relationship.

For those following the series, there’s a strong case to be made that every ingredient which made the first two instalments such audience favourites has remained in place: from the stylish horror short opening the movie, to the wholesome celebrity cameos (DJ comedian Jan Lamb Hoi-fung, Olympic swimmer Stephanie Au Hoi-shun, and quite a few other starlets), the potty-mouthed chats, and an addiction to karaoke lounge parties.

In a rambling comedy spiced up even with UFO sightings and Yatterman nostalgia, Cherie’s very realistic struggle to find security in the man-child Jimmy often feels like an afterthought. Ultimately, Love Off the Cuff is far more convincing in conveying how conflicts between lovers arise from the smallest of differences than it is in reflecting the complexities and compromises that every long-term relationship must tackle. It’s fun, but a little frivolous.

Love Off the Cuffopens on April 27



  Source: South China Morning Post

Carman Lee linked with the cemetery again in her new movie

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(China Plus) Hong Kong actress Carman Lee recently returned to the big screen with a new movie "Butterfly Cemetery", or Hu Die Gong Mu in Chinese.

Carman Lee is best known for her role as Xiao Longnv in the martial arts drama "The Return of the Condor Heroes." Xiao Longnv, a young girl who spent her childhood and youth growing up in an ancient graveyard, is a master of martial arts despite her tender age.

During an exclusive interview with Carman Lee, the actress revealed that her role in "Butterfly Cemetery" is surprisingly similar to the role she portrayed in the television drama "The Return of the Condor Heroes."

"I portray an owner of a cemetery, who never ages and cannot die. Amongst her tribe, the males are destined to die when they reach a certain age."

The movie "Butterfly Cemetery" is an adaptation of Cai Jun's novel, based on a legend that every city is home to a mysterious cemetery that everyone is eager to find because it enables a person to realize his or her wishes.

But the story's mystery lies in the fact that all those who managed to locate this magical cemetery died as a result.

Directed by Joe Ma, "Butterfly Cemetery" also stars New Zealand model and actor Vivian Dawson, mainland actress Zhang Li and actor Li Zifeng.

"Butterfly Cemetery" is set for release on August 28 of this year, Chinese Valentine's day.

Source: China Plus by Xu Fei
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