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Huang Xiaoming posts a picture from Angelababy’s maternity shoot

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(Toggle) A mere three months after giving birth to her first child, a baby boy nicknamed “Little Sponge”, Hong Kong model-actress Angelababy has returned to the public’s eye.

The 28-year-old made headlines for her slim figure when she recorded a short video showing her daily life in variety show Hurry Up, Brother, where she used to be a fixed cast member.

Soon after, rumours started to spread that the model-actress had used a surrogate mother for her pregnancy, as she had taken an abnormally short time to regain her pre-pregnancy figure.

While Angelababy has never formally responded to these rumours, her husband, Chinese actor Huang Xiaoming took to his Weibo yesterday to upload a picture from his wife’s maternity shoot, in an attempt to dispel the rumours.

In the picture, Angelababy’s baby bump can be seen fully, with Xiaoming crouching down and placing his hands on the bump.

“Nothing much, [it’s] just that I feel that being a mother is really not easy! All the mothers in the world are the greatest,” Xiaoming captioned his post.

Angelababy gave birth to Little Sponge in January this year. She and her actor husband Huang Xiaoming, 39, were recently sighted holidaying in America by fans. The celebrity couple married in 2015.

Source: Toggle

Ady An reveals wedding photoshoot pictures

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(Toggle) Preparations for Taiwanese actress Ady An’s June wedding to Chinese multimillionaire Chen Ronglian are well underway, with the actress releasing some shots from her wedding photoshoot on her Weibo account yesterday.

In the pictures, the 36-year-old can be seen posing in two different dresses - a long-sleeved, lacy gown with a bare back design and a simple, strapless white gown. The actress also let on that her umbrella was “very important” to her during the shoot, as she didn’t want to get too tanned before her big day.

With nary a detail released about her upcoming wedding ceremony, save for the fact that it was going be a destination wedding held in June, fans and members of the public have been eager to dig out more details from the tight-lipped actress.

Ady acceded to their requests and shared that she wanted to have a comfortable and warm wedding, and that she’s planning to invite 200 guests to the ceremony itself.

Ady announced her flash marriage to her boyfriend of two years, Hong Kong multimillionaire Chen Ronglian last month (March 15), shocking fans with the sudden news.

Source: Toggle

Singer Jolin Tsai covers fashion magazine

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Singer Jolin Tsai


Source: China Daily

Chinese film festival starts in Budapest with Jackie Chan

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(Xinhua) "We, Chinese and Hungarians and Europeans have a common language, and that language is no other than the language of culture, which we would like to speak more often and better," Hungarian Minister of Human Resources, Zoltan Balog said, after meeting with Jackie Chan.

Listing the numerous cultural ties between Hungary and China, Zoltan Balog recalled a Bela Bartok concert last year in Shanghai, as well as an exhibition in Budapest presenting the art of ancient China.

He also mentioned that Hungary opened its Culture Center in Beijing in 2013. "We would very much like, and we would very much support the opening of a Chinese Culture Centre here in Budapest," he underlined.

Chinese Ambassador to Hungary Duan Jielong said the present period was "the best in the relations between China and Hungary", and also stressed that the "art of the films helps the two people to better understand each other".

Duan also reminded that millions of people played with the Hungarian Rubik's cube, whereas many followers in Hungary practiced Kung Fu.

"Chinese cinema has a rich history of more than 110 years, and went through major reforms and development over the last ten years," said Zhang Hongsen, head of the film bureau at China's State Administration of Press, Publication, Radio, Film and Television.

"Today, China is an international powerhouse in film productions and became the biggest market for films with the greatest number of film screens in the world," he added.

The festival that will last until April 29, will have screenings in the lavishly decorated Urania National Film Theatre of the Hungarian capital.

Besides Kung Fu Yoga, the festival will show "Xuan Zang", a biographical movie based on Xuanzang's journey to India during the Tang dynasty, "The book of love", a romantic comedy, as well as "Operation Mekong", which is an action film and finally "Mountains may depart", a romance motion picture.

Source: Xinhua

China's domestic films strike back in May Day holiday

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After long absence from the top spots on China's box office chart, four Chinese-made films will debut on Friday hoping to win back audiences during the May Day holiday.
Locked in battle are Leste Chen's psychological sci-fi thriller "Battle of Memories," Herman Yau's bomb-disposal action blockbuster "Shock Wave," Derek Hui's gourmet romance comedy "This Is Not What I Expected" and Pang Ho-Cheung's "Love Off the Cuff," a new chapter of his romantic comedy series.
Industry observers believe the four films could rake in more than 1 billion yuan over the three-day holiday.
Hollywood has reigned in China for nearly three months since "xXx: The Return of Xander Cage" was released on Feb. 10 after China's Spring Festival film season.
"Kong: Skull Island,""xXx: The Return of Xander Cage" and "Resident Evil: The Final Chapter" all passed the 1-billion-yuan mark while the phenomenal "The Fate of the Furious" has even surpassed 23 billion yuan (US$333 million) in China alone and became a top grossing film of all time on the mainland.
In addition, "Beauty and the Beast,""Logan" and "Rogue One: A Star Wars Story" also produced strong performances in the second biggest film market in the world.
"I hope the four new Chinese films could win together following the Hollywood reign," said director Leste Chen. "Their high quality should be rewarded and encouraged by audiences."
However, there's still no contribution by Chinese mainland directors in this strikeback battle as Chen is a Taiwan director, while other three are from Hong Kong.
China's domestic films may just have very short time for relief. Though the curtain will fall on the first run of "The Fate of the Furious" after three weeks, Disney/Marvel's "Guardians of the Galaxy Vol. 2" will open in China on May 5. Heavyweights such as "Power Rangers,""King Arthur: Legend of the Sword,""Life" and "Pirates of the Caribbea.
Source: china.org by zhang rui

Battle of Memories hits Chinese theatres today

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(China Plus) Battle of Memories, a sci-fi crime thriller, is hitting Chinese cinemas starting from today (April 28th).

The story is set in 2025, after a memory-manipulation operation has been popularized across the world.

The Battle of Memories sees a reunion between veteran actor Huang Bo and director Leste Chen, following their collaboration in the film 101st Marriage Proposal in 2013.

The film cast also stars Duan Yihong, and 42-year old actress Xu Jinglei who returns to the big screen after an absence of several years.

The 20-million-dollar movie tells the story of a famous novelist who tries to recover from a painful divorce by having parts of his memories wiped.

The novelist finds himself loaded with the memories of a serial killer when he tries to recover the ones he lost.

In 2014, Leste Chen directed mystery-thriller The Great Hypnotist, which earned 274 million yuan at the Chinese box office. The total was a record-breaking amount for a domestic thriller at the time.

Source: China Plus

Chinese film is back at Cannes Film Festival after ‘embarrassing’ 2016 absence

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(SCMP) Chinese filmmakers and audiences can breathe a collective sigh of relief: Walking Past the Future has been selected to compete in the 2017 Cannes Film Festival’s Un Certain Regard section.

Festival organisers announced the addition of the latest feature by Chinese writer-director Li Ruijun to the roster of films in competition at next month’s event on Thursday.

The addition of the film – the only Chinese-language film selected in competition this year – provides a boost to China’s prestige after the complete absence of Chinese productions from the 2016 edition of the world’s most prominent art-house film festival.

Their omission was seen by Chinese audiences as both “disappointing” and “embarrassing”, according to state media reports at the time. The last time before 2016 that Chinese cinema had not been represented in Cannes was in 1992.

In 2015, there were two Chinese-language entries in the main competition line-up at Cannes: Jia Zhangke’s Mountains May Depart and Hou Hsiao-hsien’s The Assassin .

In Walking Past the Future, popular actress Yang Zishan (So Young, One Night Only ) plays a reticent young woman born and raised in Shenzhen, where her parents have worked for 20-odd years. The film follows her solitary and at times dispiriting efforts to give them a better life after they’ve moved back to their rural home in Gansu province in China’s arid northwest.

Yang reportedly had to lose a significant amount of weight to play the part.

The Cannes Film Festival runs from May 17 to 28.

Source: South China Morning Post by Edmund Lee

Fashion icon Kris Wu poses for the fashion magazine

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Actor Kris Wu


Source: China Daily

Chen Yuqi poses for photo shoot

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Actress Chen Yuqi


Source: Xinhua

China’s cute young boys in showbiz: can their careers outlast their looks?

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(SCMP) From hit movies to high-rating television series and reality shows, xiao xian rou , or toy boy – mainland internet slang for young, good-looking male actors – are dominating Chinese screens.

Many now rank in the first tier of mainland stars and charge tens of millions of yuan for a single movie.

Experts say the “toy boy” era began because entertainment companies especially targeted female fans in their 20s.

Unlike male idols two decades ago, such as Hong Kong’s “four heavenly kings” – Andy Lau Tak-wah, Jacky Cheung Hok-yau, Leon Lai Ming and Aaron Kwok Fu-shing– who won people’s hearts not only through their looks but also through their acclaimed singing and acting skills, the talents of the current of top male stars have been widely panned.

“The success of ‘toy boy’ is ascribed to the reality that this society merely values beautiful faces,” said Professor Gu Jun, a sociologist from Shanghai University. “TV producers know that good-looking actors can attract an audience in three seconds, while other actors who are good at acting but don’t have charming faces can only attract an audience in three minutes.”

For the past couple of years, internet users have been using the phrase “xiao xian rou”to refer to their favourite young male stars. xiao means the stars are young, around 25 years old, xian refers to their handsome faces and lack of love affair scandals, and rou refers to their muscular bodies, giving the impression of health and vigour.

Bankable xiao xian rouinclude Lu Han, Kris Wu Yifan, Yang Yang, Li Yifeng, Zhang Yixing and Xu Weizhou. Except for Li, who was born in 1987, the others were all born in the 1990’s. Boy band TFBoys’ three members, aged 17 or 18, are also among the front runners, while Hong Kong singer and actor William Chan also has countless fans on the mainland.

A survey by Shanghai-based Lemon Film Media Company found that because TV series were nowadays viewed more online than on TV sets, the key to success was attracting young, female viewers, the Chinese-language Bloomberg Businessweek magazine reported.

Wang Bei, senior supervisor at the entertainment industry consultancy Beijing iMiner Data Technology, told the South China Morning Post that almost every movie and TV series had opted for xiao xian rou.

“In the past, historical or spy dramas preferred to use experienced actors who were not necessarily good-looking, but had proven performance capabilities,” Wang said. “But now there are also these young male actors appearing in these types of dramas and sometimes directors will even add characters or amend scripts for the sake of these stars as they can bring a spike in page views.”

Yang Ling, an associate professor at Xiamen University who has been studying the psychology of mainland fans for a long time, said the influence of South Korean culture had led people to prefer “gentle”, androgynous male stars, whereas many years ago they favoured entertainers with strong masculine features.

“Some actors who dress up androgynously and appear not typically male or female are quite magnetic to fans,” she said. “I’ve heard some fans describe their idols as ‘beautiful’ and ‘enchanting’, words usually used to describe women.”

A Lu fan once told her she felt he was like an “innocent and lovely” animal and she was eager to cradle him in her arms.

Lu, Wu and Zhang were former members of Korean-Chinese boy band EXO before they started to focus on the Chinese market.

Yang Ling said the social status of Chinese women was higher than ever due to the effects of the former one-child policy and they were more confident than their predecessors. Many impulsively wanted to protect men they views as cute and loveable, which was the reason toy boyhad become stars.

A 22-year-old Yang Yang fan , who asked to be referred to as Qiqi, was among tens of thousands who flocked to Beijing Workers’ Stadium last September to celebrate the actor’s 25th birthday.

“I grabbed a ticket on the internet and took a train from Changchun in Jilin, where I study, to Beijing to join the big party,” the Northeast Normal University student said. “The stadium was crowded with fans and it was such a crazy night, like a dream. When we all sang chorus with him, it was one of the most touching moments in my life.”

The huge popularity of such actors has kept them extremely busy, with some said to spend as little as 15 days working on a TV series, despite being paid the most.

Directors have complained they have to rely on stand-ins for their absent stars, with mainland media reporting that toy boy just shoot a series of facial expressions, which are transposed onto the stand-ins during the editing process.

Established stars such as actress Song Dandan and actor Chen Daoming have accused the toy boy of not respecting their profession.

Industry analyst Wang said the toy boy’s performing skills were generally substandard. “They should hone their skills, otherwise their careers won’t last long,” she said.

Source: South China Morning Post by Alice Yan

Why Pang Ho-cheung, Love Off the Cuff filmmaker, is Hong Kong cinema’s true renaissance man

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(SCMP) There was a time when a Pang Ho-cheung movie sequel was as rare as hens’ teeth.

The maverick Hong Kong filmmaker was happy to push any button with his offbeat contemporary comedies on sex, violence and Cantonese profanity – from the snuff-film humour of You Shoot, I Shoot (2001) to the porn-inspired youth drama AV (2005), the grotesque murders in horror flick Dream Home (2010), and the sex-with-a-mule gag in Vulgaria (2012). The one compromise he wouldn’t make was to repeat himself – or so he claims.

“I never make sequels,” the 43-year-old Pang reiterates. “When the film company asked me to make a sequel to Men Suddenly in Black (2003), I turned them down and they ended up finding another director for the project. I refuse to follow up on every single film that I’ve made.”

That’s a statement that rings hollow with the opening in Hong Kong cinemas this week of Love Off the Cuff, which follows its April 11 premiere as the Hong Kong International Film Festival’s opening film. Coming after 2010’s Love in a Puff and 2012’s Love in the Buff , the third instalment in Pang’s popular romantic comedy series sees Miriam Yeung Chin-wah and Shawn Yue Man-lok reprise their roles as bickering lovers Jimmy and Cherie, this time tackling commitment issues from the cosy home they cohabit.

“I’m making a sequel not because I need to make money. It’s more like the five of us – me, Yeung, Yue, Cherie and Jimmy – have become friends,” says Pang, who adds that the weight on his shoulders has grown ever heavier as the series has progressed.

“When I wrote the first film in five weeks, I didn’t feel any pressure,” he says. “I really like the characters from the first film, and it took me two years to write the second film. It then took four years to write the third, during which time I’d repeatedly told myself that I should just stop. But I couldn’t stop myself from thinking about the story … If and when I make the fourth film, it’ll mean that I need to surpass the first three.”

While the three-year gap between the release of Love Off the Cuff and his last film, Aberdeen (2014) marks his longest hiatus yet as a director, recent years have seen Pang swap directing for film production.

Pang has produced Chinese art-house film Dog Days (2016), the acclaimed prison drama Apprentice , which was Singapore’s submission for the 2017 foreign language film Oscar, and some other Chinese-language films – bawdy comedy SDU: Sex Duties Unit (2013), erotic youth drama Lazy Hazy Crazy (2015), and the new, Hawaii-set A Nail Clipper Romance– all of them films he could just as well have directed. But one thing he says he’s learned over the years is that it’s possible to let go.

“I used to think that I have to be the director of every project I developed, but now, I just want to loosen my grip and let others have their try. I can take a step back these days. I no longer insist that a story I developed – and like a lot – must end up becoming ‘a Pang Ho-cheung film’.

“I have only 24 hours a day, so I can only pick maybe two out of 10 projects that I really like,” he adds. “I’m now happy to let another suitable person direct from my script; it’s not like I have never directed a movie before.”

Curiously, Pang’s recent executive producer credits have included several obscure American productions. Those who follow industry news would know that that’s all part of preparations for his first outing as writer and director in the West: an English-language adaptation of the fantasy story Lieland, from Israeli writer Etgar Keret’s 2012 book of short stories Suddenly, A Knock on the Door.

“I’ve been planning to direct my first English-language film for the past two or three years,” says Pang. “But I’m not familiar with the production process of English-language movies, and I don’t want to have my very first experience only when I’m directing there. So these producer roles – in which I help to line things up, with both investment and the whole conceptualising process – are at once work and a learning process about the US film production model.”

Before his Hollywood detour, Pang says his next directorial effort will be a thriller based on a low-budget UK-Puerto Rico co-production, The Caller (2011), about a woman who keeps receiving calls from a mysterious stranger. He is currently overseeing the extensive rewrite of that English-language film for a Chinese-language remake.

“This whole thing happened out of the blue,” he recalls. “That movie was on TV one time when I was clipping nails and my wife [producer Subi Liang] was browsing the internet. And then we stopped doing what we did and kept watching it until the end, which shows you how effective that story is in drawing the audience in.”

Pang estimates he has “six or seven” projects he’s developing and plans eventually to direct. Included among those are a historical war movie set in China for which he’s been researching and writing the script for almost 10 years; and a television series developed from his 2014 romantic comedy Women Who Flirt and based on some of the eccentric tales from his own short story collection, The Strange, the Mad, and the Floral Dress.

“This is one project that I really want to direct: I want to direct all of it by myself. I’m quite interested to find out how it would be like to shoot six episodes in one go. I think it should be fun – but also very scary. Woody Allen has made six episodes [for Amazon’s Crisis in Six Scenes], and he swore that he’s never going to shoot another series. It’s tough – a bit like shooting six movies,” he says.

The versatile Pang is also due to co-star with fellow filmmaker Derek Tsang Kwok-cheung ( Soul Mate ) in madcap comic film The Hell Bank Heist, which is set to start shooting in a few weeks’ time. Pang is refining the script with the team behind the film, but stresses that he will otherwise concentrate only on his acting duties on that project.

“I’ve often been thinking that I will retire after finishing all of those six or seven directing projects,” Pang says, somewhat unexpectedly, near the end of our interview. But you only need a glance at his most unpredictable career path to know he will probably change his mind halfway down the line.

Love Off the Cuffopened on April 27



Source: South China Morning Post 

Chinese anti-graft TV drama ends with record-breaking ratings

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(China Plus) Chinese anti-corruption television drama "In the Name of the People" ended Friday with the highest viewing figures for a locally produced TV drama in a decade, reports jfdaily.com.

The 52-episode TV series premiered on Hunan Television in March, and told the stories of anti-graft investigators tracking down corrupt government officials.

The show achieved 21 billion hits on six leading Chinese video sites such as Tencent Video and Mango TV, attracting about 120,000 comments and an 8.5/10 score on Douban, a popular Chinese fan-rating site as of Thursday, according to jfdaily.com.

The show is especially popular among younger viewers, as well as with people from overseas, according to some media reports.

One person posted on Weibo, "Secretary Da Kang's acting skill is fantastic. I was born in the 1990s, and I have watched the TV drama more than 10 times so far."

Some foreign diplomats from the U.S. and European countries have apparently shown great interest in the TV drama, with some embassies in China organizing special screenings for their diplomats at which many took notes, Xinhua reports.

The hit show has also stimulated heated debate about “what it takes to be a good government official” among viewers, according to jfdaily.com.

60 percent of the audience said they liked the TV series due to its authenticity, because it bears a striking resemblance to reality, according to an online poll conducted by Beijing News.

20.1 percent say they liked it because of its A-list scriptwriter and story structure, with 19.9 percent saying it was due to the strong and attractive cast, the poll shows.

It is the first drama series to feature high-level Chinese government corruption since 2004, according to media reports.

Several other Chinese TV dramas focusing on the topic of anti-corruption are also said to be in production this year, according to jfdaily.com.

Source: China Plus by Liu Yang

Animation 'Monkey King', 'Song of the Sea' winners at China festival

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(China Plus) The 3D adventure "Monkey King: Hero is Back" won the gold prize for animated film at the China International Cartoon and Animation Festival on Wednesday.

The Chinese movie was an adaptation based on the classic novel "Journey to the West." After it was released in July 2015, it became the highest-grossing animated film in the country, holding that rank until Zootopia came out the following year.
The Golden Monkey King Award, bestowed by the 13th China International Cartoon and Animation Festival in Hangzhou, was co-presented by China Radio International and some leading academic institutions. It is the highest recognition in the animation industry in China.
The awards jury gave the silver prize to Oscar shortlisted film "Song of the Sea" co-produced by Ireland, Belgium, Denmark, France, and Luxembourg.
The story follows a 10-year-old Irish boy who discovers that his mute sister is a selkie who has to free faerie creatures from a Celtic goddess.
Producer Paul Young said the film is about family love and healing.
"All human beings are the same. We are the same as brothers and sisters. The story is we are trying to keep that very root in the authentic place of human emotions and use mythologies to help the story. And mainly it's about let it go when somebody left you; let it go when somebody died. We think that is universal theme."
The bronze honor in the category of animated film went to Chinese-made "Big Fish Begonia."
As for the animation series category, "Panda and Little Mole," a co-production by China and the Czech Republic, won the top award, while the first season of "Chicky Rainbow" and "Little Stubborn Red Army Soldier" grabbed silver and bronze respectively.
The festival received over a thousand entries from home and abroad for the competition, which basically included all animated films with ticket sales exceeding 50 million yuan, or about seven million USD, from the past two years. Some entries are cartoon serials published online and clicked more than 100 million times.
The festival kicked off on Wednesday and will run through May 1. Nearly 60 activities such as forums, fairs, and business events will be highlighted.
Source: China Plus

Lou Yixiao in Tibet

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Actress Lou Yixiao


Source: Xinhua

Hai Qing covers fashion magazine


China Sets Day-and-Date Releases for ‘Transformers,’ ‘Despicable Me’

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(Variety) At least four major Hollywood films – “Wonder Woman,” “Cars 3,” “Transformers: The Last Knight” and “Despicable Me 3” – will enjoy day-and-date theatrical releases in China in June.

Warner Bros.’ “Wonder Woman” will release in China on June 2, in a day-and-date outing aligned with the North American and international releases.

Disney’s “Cars 3” is scheduled for June 16, simultaneous with the sequel’s North American release.

“Transformers” has been given a June 23 slot, again a day-and-date with North America.

Universal’s Illumination Entertainment-produced “Despicable Me” will reach Chinese audiences on June 30.

In an earlier announcement, Disney revealed that Shanghai will host the world premiere of “Pirates of the Caribbean: Dead Men Tell No Tales” on May 11, ahead of a commercial release on May 26.

Hollywood studios are not permitted to handle release of their own films in China. Those titles imported under the revenue-sharing quota are distributed by state-owned enterprise China Film Co., often in association with Huaxia Distribution. Release dates for quota import titles are set centrally, typically with four to six weeks’ advanced notice.

Source: Variety by Patrick Frater

Sci-fi film 'Meow' features a cute creature

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(China Daily) Most aliens in Hollywood sci-fi movies look a bit scary, but in the upcoming comedy Meow, the main creature from a remote planet is cute and hairy.

Meow, featuring Hong Kong superstar Louis Koo, is about a cat-shaped alien, who embarks on an adventure on Earth involving a family.
Koo plays the father and Chinese mainland comedian Ma Li plays the mother. Eight-year-old Liu Chutian and 14-year-old singer-actor Huang Xingyuan star as the family's two children.
The director, Benny Chan, says he hired three visual effect companies to polish the hair, facial expressions and movements of the cat-shaped alien, which appears in 1,000-plus computer-generated scenes in the movie.
The movie will open across the Chinese mainland on July 7.
Source: China Daily

Nicholas Tse’s cooking show goes global

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(Toggle) Hong Kong singer-actor Nicholas Tse’s cooking show, Chef Nic, has been very well-received by the audience ever since its premiere in 2014, with the show in its third season now.

Last year, the singer-actor was bestowed the honour of being the first recipient of the ‘Friend of Michelin’ award, for his contributions as the host of Chef Nic.

Earlier this week, FOX Televisions held an “East meets West” themed dinner in Bali, Indonesia, with Nicholas turning up as the special guest. At the dinner, it was also announced that the 36-year-old will be working together with the company for an English version of Chef Nic.

Nicholas also designed three dishes for the dinner, and shared that he felt both honoured and happy to work together with FOX. The show will be broadcasted on FOX channels and the National Geographic channel, and will be made available online as well.

It was also reported that  that the singer-actor had flown to Israel to film an episode there. Due to the unrest in Israel, it was reported that filming was disrupted more than once by gunfights nearby, endangering the lives of the crew and cast.

When asked about his dangerous experience shooting overseas, Nicholas said, “I didn’t think that it was dangerous, nor did I think of buying insurance. Previously, when I shot The Viral Factor, I went to The Dead Sea in Jordan. I’ve always felt protected, even when going to countries who are currently experiencing political turmoil to film.”

Source: Toggle

Chinese films awarded at Houston international film festival

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(Xinhua) More than 10 Chinese films were awarded on Saturday at the 50th annual WorldFest-Houston, an independent international film festival, which will end on Sunday.

The Chinese films won different awards at the festival, but there is no doubt that it is a great success for "Reset," a science fiction supervised by Jackie Chan.

Yang Mi won the Best Actress Remi Award for her great job in the movie "Reset," which also received the Remi Award-Best in Show.

Five Besties-Divoice Busting, a comedy and romantic movie directed by Chen Jianfei, received the Gold Remi Award.

Masters in Forbidden City, a documentary, won the Special Jury Remi Award while Survival in Shanghai, a documentary, received the Gold Remi Award.

Sun Chun, a famous Chinese film star, also received the Outstanding Contribution Award.

As the third largest film festival in North America, just after San Francisco and New York, the Houston film festival, founded 50 years ago, kicked off on April 21.

The 10-day festival premiered 88 features and more than 100 shorts from more than 30 countries and regions. Of which, Panorama China, a platform especially for showing Chinese films, presented the audience 33 films from China.

Hunter Todd, founder and CEO of Houston Film Festival, told Xinhua that he is glad to set up a platform like Panorama China three years ago as he realized the importance and excellence of the Chinese film-making.

"As one of the largest film producers in the world, China is now producing a lot of films. Chinese films are good and I like them," he said.

Source: Xinhua

Zhou Dongyu at event

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Actress Zhou Dongyu


Source: Xinhua
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